Free PDF Fuck You-Aloha-I Love You (Wesleyan Poetry Series), by Juliana Spahr
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Fuck You-Aloha-I Love You (Wesleyan Poetry Series), by Juliana Spahr
Free PDF Fuck You-Aloha-I Love You (Wesleyan Poetry Series), by Juliana Spahr
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Juliana Spahr uses details to explore Hawai'i's politics of location and her own place in it as an outsider: a hard-core show where the singer shouts out "fuck you-aloha-I love you" over and over; the pidgin word 'da kine;' native Hawaiian rights to gathering; Palolo stream; the similarities and differences between hotel rooms and conference rooms; and acrobats at a Las Vegas-style floor show in Waikiki. Spahr is attentive to specifics and she draws from documentary poetics in these five interconnected poems that move between lyricism, rhythmic repetition, and explanatory prose. Conceptually provocative and yet moving at the same time, Fuck You-Aloha-I Love You demands reading and re-reading.
- Sales Rank: #1464540 in Books
- Brand: Brand: Wesleyan
- Published on: 2001-11-27
- Original language: English
- Number of items: 1
- Dimensions: 9.78" h x .30" w x 4.08" l, .29 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
From Publishers Weekly
An understated, careful examination of the individual in the troubled nexus of the law, community, culture and, centrally, language, Spahr's follow-up to 1995's Response continues that book's search for the verbal means to realize others without resort to an identity-based voice. She succeeds brilliantly with "a younger man, an older man, and a woman," one of four long sequences here (along with two shorter), fixing the reader in the center of a minimal, yet cinematic narrative. The poem is a plain description of the movements of the three title stand-ins as they perform a gymnastic routine that somehow conveys a playful schematic for an ethics of relationships among individuals: "In culture an older man and a younger man stand facing each other with their feet spread for balance./ They place their hands on each other's shoulders and together they flex their knees and keep their backs straight./ A woman steps onto their thighs, one foot on a younger man's thigh, one foot on an older man's thigh./ A younger man and an older man are support. A woman is a tower." The sequence "gathering / palolo stream" concerns the conflict of native Hawai'ian property traditions (Spahr has taught at the University of Hawai'i Manoa) and the imposition of rights to private property; at the center of the poem is the resonant void of a parking lot to which no road leads, and yet which stands in the way of a contested gathering place by a stream. This symbolic void, like the scream of the punk-rocker in the book's eponymous sequence, lends a strong air of nihilism to what is otherwise Spahr's project of hope. For Spahr, who recently published a critical study of social identity and literature titled Everybody's Autonomy, this tension between the black heart of anger and faith in community makes this a distinct, ambitious book of poems.
Copyright 2001 Cahners Business Information, Inc.
Review
“An understated, careful examination of the individual in the troubled nexus of the law, community, culture, and, centrally, language . . . continues [Spahr’s] search for the verbal means to realize others without resort to an identity-based voice. She succeeds brilliantly with ‘a younger man, an older man, and a woman,’ one of four long sequences here . . . [the] tension between the black heart of anger and faith in community makes this a distinct, ambitious book of poems.”—Publishers Weekly
“The more I read through Spahr’s work, the more interested I am in reading further, and deeper…”—Rob McLennan, Rob McLennan’s blog
Review
“Juliana Spahr’s method bears some comparison to that of Ludwig Wittgenstein. It is premised on a daringly aggressive ambivalence, one that is obvious in the goodbye-hello message of the book’s title but becomes far more complicated as the poems’ sequences query feature after feature of the author’s cultural locale. The works are of necessity skeptical in tone, but they are also deeply emotional; they are about engagement. They give an account of confrontations but stand as gestures of acknowledgment. This is one of the most emotionally intelligent books I have read in a long time. The works are profound.” (Lyn Hejinian, author of The Language of Inquiry)
Most helpful customer reviews
6 of 7 people found the following review helpful.
Tries, but doesn't quite get there.
By Robert Beveridge
A small, somewhat short book of poetry, with five short to medium-length pieces, each divided into smaller bits.
I'm not really sure what to say about this book. It's not that I didn't like it, but it felt as if it was missing some core element that made things seem like less than they should have been; the language is repetitive without ever quite getting to chant, and while the work stays perfectly grounded in image, the images never seem to coalesce into scenes:
In a room we sit around a table.
The table is dark wood.
It has thick legs.
It is a space for gathering with a boundary of wood.
*
In another room, in a hotel room, we hurriedly undress.
*
We use the table as a barrier and we rest our things on it.
We value the table as decorum.
A table that is wood, that is hard.
("Switching")
...if that makes any sense.
It's enjoyable, but not something it's necessary to run out and grab this instant. If you find it used, it's worth your time. ** ½
6 of 10 people found the following review helpful.
very very goo
By A Customer
This book moved me deeply - I was shattered by some of the symbolism and eclliptic narrative. As an eldery grandmother, I was particularly touched by the 'Older woman' piece; it quite took me back to my younger days! I highly recommend this thoughtful and pervocative work.
6 of 22 people found the following review helpful.
Caused the cat to have one of its "turns"...
By A Customer
In my day, publishing such a thing would have resulted in forced cold showers for all concerned, followed by a brisk rub down with a salted brillo pad from matron.
Draft them all into the army, get some old-fashioned discipline and a sense of what it is to be a man, that's what I say!
Although...when I think back to some of the barrack-room antics old "Sticky" Carstairs used to get up to, perhaps that isn't advisable in this case.
Quite liked the cover though.
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