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• Published on: 2005-12-27
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Paperback
• 806 pages

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* Ebook Download A Time to Turn: Anglican Readings for Lent and Easter Week, by Christopher L. Webber

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For centuries Lent has been a time when Christians stop and take stock of their lives. It is a time for revisiting the story of Jesus' life, death, and resurrection. It is a time of focusing on our sinfulness and the need to repent, as well as a season in which we focus on putting aside our luxuries and making sure that others have what they need. All of these themes, and more, are explored in this collection of Anglican readings that begin with Ash Wednesday and end on the Saturday of Easter Week.

These readings are arranged in a regular sequence through each week of Lent. Sunday readings focus on God’s love, Mondays on the need for discipline, Tuesdays on fasting, Wednesdays on prayer, Thursdays on sin, Fridays on the cross, and Saturdays on baptism.

A Time to Turn draws on the best sermons, books, poems, and hymns of Anglican writers throughout the centuries, with a reading for each day, followed by the brief suggestion for focusing the reader's meditations. Writers include Christina Rossetti, John Donne, Philips Brooks, John Keble, Thomas Traherne, Harriet Beecher Stowe, and many others. Brief biographies are included, along with a bibliography for those who would like to read more from a given writer.

• Sales Rank: #1785985 in Books
• Published on: 2004-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .34" w x 5.51" l, .39 pounds
• Binding: Paperback
• 128 pages

About the Author
Christopher L. Webber is an Episcopal priest who has served inner city, suburban, and overseas parishes. He is the author of many books, including Love Came Down: Anglican Readings for Advent and Christmas, Welcome to the Episcopal Church, and others.

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1 of 1 people found the following review helpful.
Prayers and Meditiations for Lententide and Easter Week
By Leif E. Trondsen
For most Americans, the season of Lent (or Lententide), the 40 days stretching from Ash Wednesday to Maundy Thursday, is essentially a Roman Catholic affair. During this time, the faithful customarily "give up" something, be it sweets, smoking, swearing, or even sex! Lententide, with its constant calls of alms-giving and sacrifice, "thankfully" gives way to the more joyous and festive Easter season (or Eastertide).

In A Time to Turn: Anglican Readings for Lent and Easter Week, popular author and Episcopal priest Christopher L. Webber corrects the many misconceptions surrounding Lententide. First, Lent is not solely a Roman Catholic celebration. The 90 million members of the worldwide Anglican Communion, which includes the Church of England and the Episcopal Church USA, also celebrate this liturgical season, with its ancient practices of charity, prayer, and fasting. Secondly, Lent is not simply about abandoning (temporarily) some bad habit or practice. Rather, Fr. Webber notes, it is "a time to turn in a new direction, to turn away from the familiar routine of death and seek life, real life."

To assist the faithful in this process of "turning," Fr. Webber provides prayers and meditations for each day of Lententide and Easter Week. These are drawn from the rich heritage of Anglican/Episcopal spirituality, which often finds its most apt expression in poetry (Christina Rossetti and John Donne) or pastoral care (George Herbert and William Law). I highly recommend A Time to Turn to Christians of all denominations as we celebrate the death and resurrection of our Lord and Savior, Jesus Christ!

1 of 1 people found the following review helpful.
A great Lenten devotional!
By albert l adams
This book is a treasure for those who acknowledge Lent. "A Time to Turn" is a great collection of writings, sermon excerpts, and essays from Anglicans, applicable across any denominational lines. Excellent read.

0 of 0 people found the following review helpful.
best ever
By C. Bear
Best daily devotionals I've ever read concerning explanations of the Lenten season; readings start prior to Ash Wed., and continue thru Easter week; I've read mine for ea. of 8 yrs & have ordered several as gifts; it truly "turned " my life

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Bringing comfort and concern to the bedside of the sick or dying is a challenge for lay people and clergy alike. In this practical guide, Neville Kirkwood shares his wisdom-gleaned from some twenty years of experience as a hospital chaplain-on the art of hospital visitation. This classic handbook is now updated, with an all-new section addressing best practices for hospital chaplains.

Pastoral Care in Hospitals, with additional sections addressed to clergy and trained lay pastoral workers, as well as ordinary lay people who simply want to visit their fellow-parishioners, shows visitors ways to make the encounter meaningful and enriching to the patient. Kirkwood guides readers through the minefield of hospital visits-from false heartiness to too much talking-and offers a theology of visitation that can guide both professionals and laity in their ministry. A variety of exercises and a section of prayers for specific circumstances make this a must-have resource for all who work with the sick and dying, and an excellent text for course work.

• Sales Rank: #822310 in Books
• Published on: 2005-10-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .72" w x 5.98" l, .95 pounds
• Binding: Paperback
• 304 pages

Review
... comprehensive, basic ... for anyone preparing parish hospital visitors or even eucharistic ministers for hospital visitation... balanced... --The Quarterly for Parish Ministers

... must-have resource for all who work with the sick and dying. --South Dakota Church News, 03/15/1999

In non-technical language, Kirkwood helps lay and clergy visitors understand what actions, words, and practices may be helpful versus harmful. --Pastoral Life

From the Back Cover
Hospital visitation is never easy. Bringing comfort and concern to the bedside of someone who is sick or dying is difficult for lay people and clergy alike. In this practical guide, based on many years of experience as a hospital chaplain, Neville Kirkwood shares his wisdom about the art of visitation.

In non-technical language, Kirkwood helps lay and clergy visitors understand what actions, words, and practices may be helpful versus harmful. He guides readers through the temptations visitors face-attempts to problem-solve, to talk too much, to be too personal or not personal enough-and provides them with a theology of visitation that can guide their efforts to help patients and friends. A variety of exercises and a section of prayers for very specific circumstances one might encounter in the hospital make this a must-have resource for all who work with the sick and dying.

Dr. Neville Kirkwood is an author, lecturer, and preacher and has served in cross-cultural mission in India for seventeen years and as a hospital chaplain in Australia for eighteen years. He earned his Doctorate of Ministry at the San Francisco Theological Seminary in San Anselmo, California, and has served in many capacities, including President, of the Australian College of Chaplains.

About the Author
Dr. Neville Kirkwood is an author, lecturer and preacher, and has served in a cross-cultural mission in India and as a hospital chaplain in Australia. He has a doctorate of ministry from San Francisco Theological Seminary in San Anselmo, California, and currently resides in Australia.

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0 of 0 people found the following review helpful.
excellent resource
By Avid Reader #9
highly recommend for anyone in spiritual care

0 of 0 people found the following review helpful.
Five Stars
By Yuriy
I received the book in excellent condition

16 of 16 people found the following review helpful.
Information, experience, guidance, and inspiration
By Midwest Book Review
It has always been a special responsibility of clergy to offer comfort and concern to the bedside of the sick and the dying. Now in a newly revised and expanded second edition, Pastoral Care In Hospitals by author, lecturer, and hospital chaplain Neville Kirkwood shares his more than twenty years of experience, expertise and wisdom to assist clergy and trained lay pastoral workers (as well as ordinary lay people who simply want to visit their fellow-parishioners or family members) in making their visits and ministries more meaningful and enriching to the patients they attend. Readers will learn what to avoid (such as false heartiness and too much talking) and what to embrace (gentle candor and unobtrusive faith). Of special note are the variety of exercises and the section of prayers for specific circumstances. If you are charged with the responsibility of ministering to the ill and the dying in hospitals, hostels, or homes, then read what Hospital Chaplin Neville Kirkwood has offer by way of information, experience, guidance, and inspiration.

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~ PDF Download Common Sense Approach to Thermal Imaging (SPIE Press Monograph Vol. PM86), by Gerald C. Holst

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Copublished with JCD Publishing. Thorough explanation of heat transfer, with concepts supported by thermograms. Intended for all who work with thermal imaging systems: researchers, system designers, test engineers, sales staff, and military and civilian end users.

Contents

- Introduction
- Heat
- Blackbody radiation
- Emissivity
- Atmospheric transmittance
- Camera design
- Performance parameters
- Camera selection
- Observer training
- Introduction to applications
- Target Signatures
- Temperature measurements
- Building envelope inspections
- Roof inspections
- Power distribution
- Electrical/Mechanical Inspection
- Buried objects
- Surveillance
- Nondestructive testing
- Process/ quality control
- Inspection procedures
- Appendix A: Temperature conversion
- Appendix B: Emissivity
- Appendix C: Thermal Sensing and Imaging
- Index

• Sales Rank: #2673281 in Books
• Published on: 2000-09-30
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.38 pounds
• Binding: Hardcover
• 370 pages

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12 of 16 people found the following review helpful.
Excellent Book for Thermographers
By A Customer
From the publisher: Common Sense Approach to Thermal Imaging is now available.
Thermal imaging systems are used by the military to detect, recognize, and identify enemy personnel, equipment, and buildings. Police patrol border crossings and use thermal imaging systems for search and rescue. The systems are particularly useful for evaluating the condition of power lines, transformers, circuit breakers, and motors. Simply put, they can be used to evaluate the "health" of any electrical or mechanical component.
This profusely illustrated book provides the underlying physics of why and how objects emit radiation. Since this radiation is related to temperature, it is relatively to determine an object's temperature. By using both simple and complex math, this book is intended for all that work with thermal imaging systems. This includes the researcher, system designer, test engineer, salesman, and end user. Since civilian and military applications are discussed, this book is useful to both communities.
Co published by SPIE Press and JCD Publishing

0 of 0 people found the following review helpful.
Advanced Book on Thermal Imaging
By Frank T.
This book was written by a thermographer for thermographer's the layman
would have a hard time with this book. It goes deep into the science behind
thermal imaging is very well written and a very good book.
But if you do not have a background in thermography this book would go over your head.

0 of 0 people found the following review helpful.
A "Must Read" for Thermographers
By Linas Dapkus
If you're a thermographer or just interested in pursuing studies in this field this is a "must read" book. It is at times complicated with all the formulas but it is very informative.

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X-ray computed tomography (CT) continues to experience rapid growth, both in basic technology and new clinical applications. Seven years after its first edition, Computed Tomography: Principles, Design, Artifacts, and Recent Advancements, Second Edition, provides an overview of the evolution of CT, the mathematical and physical aspects of the technology, and the fundamentals of image reconstruction algorithms. Image display is examined from traditional methods used through the most recent advancements. Key performance indices, theories behind the measurement methodologies, and different measurement phantoms in image quality are discussed. The CT scanner is broken down into components to provide the reader with an understanding of their function, their latest advances, and their impact on the CT system. General descriptions and different categories of artifacts, their causes, and their corrections are considered at length.

Given the high visibility and public awareness of the impact of x-ray radiation, the second edition features a new chapter on x-ray dose and presents different dose reduction techniques ranging from patient handling, optimal data acquisition, image reconstruction, and post-process. Based on the advancements over the past five years, the second edition added new sections on cone beam reconstruction algorithms, nonconventional helical acquisition and reconstruction, new reconstruction approaches, and dual-energy CT. Finally, new to this edition is a set of problems for each chapter, providing opportunities to enhance reader comprehension and practice the application of covered material.

Contents:
- Preliminaries
- Image Reconstruction
- Image Presentation
- Key Performance Parameters of a CT Scanner
- Major Components of CT Scanner
- Image Artifacts: Appearances, Causes, and Corrections
- Computer Simulation and Analysis
- Helical or Spiral CT
- Multislice CT
- X-ray Dose and Reduction Techniques
- Advanced CT Applications

• Sales Rank: #2474986 in Books
• Published on: 2009-11-19
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.50" w x 1.50" l, 2.90 pounds
• Binding: Hardcover
• 560 pages

About the Author
Jiang Hsieh, Ph.D., is the Chief Scientist at GE Healthcare and an adjunct professor in the Department of Medical Physics at University of Wisconsin-Madison. He has over 26 years of experience in medical imaging, holds over 160 U.S. patents, and has authored or co-authored more than 200 research articles, conference presentations, and book chapters. He taught short courses on x-ray computed tomography at SPIE Medical Imaging conferences, Radiology Society of North American annual meetings (RSNA), the IEEE Nuclear Science Symposium and Medical Imaging Conference, AAPM annual meetings, and AAPM summer school. His research interests include tomographic reconstruction, medical image processing, image artifact identification and correction, and advanced CT applications.

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2 of 2 people found the following review helpful.
Introduction to medical tomography (CT scanning)
By Ulfilas
I turned to this book for general information on tomography, as my actual interest is electron tomography in the transmission electron microscope (TEM). Within this 556 page, 12 chapter book is a useful introductory chapter on image reconstruction (Chapter 3, pp.55-117). Chapter 3 addresses such topics as the filtered backprojection algorithm, Radon and Fourier transforms, and digital computing considerations such as aliasing. The author uses equations as well as flow charts to help explain the calculation procedures and theory. It is also worth mentioning that this book also contains a chapter reviewing such mathematical concepts as Fourier transforms, convolution integrals, statistics, linear algebra, and x-ray Physics (Chapter 2, pp.23-53). The rest of the book is specific to CT scanning.

1 of 1 people found the following review helpful.
Looking for references in CT, buy this book first.
By indika walimuni
To be honest, I didn't buy this book from Amazon or any other seller for that matter as it was available to me through my school's library. I used this book as a basic reference and used it to find other more specific and technical references to my thesis works. I recommend this book to anybody specially those who have to study CT. However, it was organized in a simpler way so that anyone who has an interest can understand. It was to me like a mini encyclopedia of CT as this book bundled with many references that you might be looking for.

0 of 0 people found the following review helpful.
Long Unenlightening explanations
By NicNic8
The book lacks mathematical descriptions. He opts for long explanations that I did not find enlightening. I would not recommend this book; instead, I would opt for the text by Kak and Slaney. It's much more clear, and an electronic copy can be found free on the Internet.

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> PDF Ebook Preaching as Prophetic Calling (Sermons That Work XII)From Brand: Morehouse Publishing

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Preaching as Prophetic Calling is the twelfth in a series of books devoted to presenting examples of preaching excellence from parishes throughout the Episcopal Church.

This volume addresses the difficult and essential area of preaching a prophetic word. What does a prophetic sermon look like without being shrill, and without being filled with “musts,” “oughts,” and “shoulds”? This collection of sermons includes examples of prophetic preaching that are visionary and that speak in ways that offer radical comfort as well as radical challenge.

• Sales Rank: #4238346 in Books
• Brand: Brand: Morehouse Publishing
• Published on: 2004-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .37" w x 5.98" l, .56 pounds
• Binding: Paperback
• 145 pages

Features

• Used Book in Good Condition

About the Author
Roger Alling is president of the Episcopal Preaching Foundation and director of the Foundation's Preaching Excellence Program. Co-editor of the Sermons that Work series, he lives in Camp Hill, Pennsylvania.

David J. Schlafer is a former philosophy professor and seminary sub-dean who teaches homiletics at a number of seminaries in a variety of denominations. Co-editor of the Sermons that Work series, he lives in Bethesda, Maryland.

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~ PDF Ebook Trilce (Wesleyan Poetry Series), by César Vallejo

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César Vallejo was born in Peru in 1892. In 1921 he spent three months in prison where he wrote some of the poems in Trilce. In 1923 he left for Paris, where he co-founded a cell of the Peruvian Communist Party. He traveled to Russia, and to Spain during the Spanish Civil War. He died in Paris in 1938, in absolute poverty, devastated by the fall of the Spanish Republic.

Trilce, published the same year as Eliot's Waste Land and also masterpiece of early modernism, is a ground-breaking work that has had an indelible effect on all subsequent poetry in its language. It contains 77 poems considered to be Vallejo's most complex and radical work.

• Sales Rank: #3243537 in Books
• Color: White
• Brand: Brand: Wesleyan
• Published on: 2000-10-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 9.02" h x .85" w x 6.00" l, .99 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Vallejo's poetry combines excruciatingly personal emotions with imagery that at first appears facetious but turns out to be wordplay with a larger purpose. "Hot bakery of my former biscuits, / pure egg yolk childlike innumerable, mother," begins one of many poems that mourn his mother's death; but it is himself he ends up lamenting, since "everyone keeps charging us / the rent for the world where you left us / and the value of this everlasting bread." The 77 poems reflect upon the poet's dual Spanish and Peruvian Indian heritage in a dialect that mocks Spanish grammar with Incan idioms, plays on the similarities between words and tosses in medical terms (Vallejo attended medical school) to enhance the surreal effect. Seiferle's insightful introduction and footnotes serve as necessary maps to the book's political context--Vallejo's assertion of the Incan side of his identity--and intellectual strengths. The sensitive translation of an extremely difficult text in this bilingual edition commemorates the centennial of Vallejo's birth and the 70th anniversary of the book's original publication; ironically, it also coincides with the 500th anniversary of Columbus's discovery of America.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
Vallejo was born 100 years ago in a small mining town in north central Peru. Both his grandfathers were Spanish priests. His poetry has come to be highly regarded, and this last volume to be translated into English is considered his most difficult. In fact, when it came out in 1922, the critics were so hostile that soon afterward Vallejo left Peru permanently for Paris. Neither as romantic nor as bohemian as he had been in much of his poetry, Vallejo was here straining Spanish syntax, resorting to technical jargon and distorting typography, hyphenation, and punctuation to convey the harshness of a wide range of unsatisfied or unsatisfying thoughts touching on sexuality, loneliness, and death: "Death on its knees pours forth/ its white blood that is not blood." Vallejo has been translated by the likes of James Wright, Thomas Merton, and Robert Bly, so Seiferle's renderings have a lot to live up to. Her edition would have been improved by a glossary of Vallejo's many ambiguous terms; in fact, there are an alarming number of lexical discrepancies. Appropriate for strong poetry and Latin American collections.
- Jack Shreve, Allegany Community Coll., Cumberland, Md.
Copyright 1992 Reed Business Information, Inc.

Review
"Blake's Milton, Pope's Homer: for the poet the possessive is neither descriptive nor evaluative, but copulative, possessive. Clayton Eshleman earns his apostrophe." —Voice Literary Supplement

"[Eshleman's] versions are hard-earned and thoroughly tested . . . Struggling to read [Vallejo] in both Spanish and English is an invitation to learn [his] strange and disturbingly intimate idiolect. Clayton Eshleman's translation is an excellent point of departure."—Times Literary Supplement

"When Vallejo disarticulates Spanish he does so not out of complacency with his own strangeness, but because he has certain moral and aesthetic truths to express and must utter them in an idion of his own making . . . Vallejo's deepest political impact lies here, in his re-creation of linguistic, and therefore social, order . . . Trilce abounds in neologisms, and Eshleman ushers a number of funky new verbs into English."—The New Republic

"This is a poet's translation: rhythmical, with words often chosen for their sounds as well as their meanings . . . [It] also presents 'a newly established Spanish text,' and is destined to become a classic."—Publishers Weekly

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1 of 1 people found the following review helpful.
"...will take away the reader's breath."
By America Reads Spanish
"This collection of poems both a bit sad and sweet is the companion piece to a previous volume and is marked by a boldness and profundity that will take away the reader's breath. Vallejo parts company with Surrealism to create his own expressive credo which only consists in surrendering to his own boundless and dark voice." This is as reviewed in "The New Essential Guide to Spanish Reading" which is published by America Reads Spanish: a campaign aimed to increase the use and reading of the Spanish language through the thousands of libraries, schools and book stores in the US.

0 of 3 people found the following review helpful.
Four Stars
By Samina Ali
decent condition

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When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe.

• Sales Rank: #775918 in Books
• Published on: 2007-04-30
• Original language: English
• Number of items: 1
• Dimensions: 8.99" h x .96" w x 6.18" l, 1.15 pounds
• Binding: Paperback
• 352 pages

From Booklist
Veal chronicles how dub music progressed from remixing and altering existing reggae recordings to studio-creating original songs out of music samples, noise, and found sounds. Inventing and developing techniques with effects similar to what turntable scratching and sampling later achieved, Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, and others paved the way for rap by placing the boasting of "toasters" over bass-heavy charts and fractured soundscapes. Veal traces the development of the drum-and-bass sound central to reggae and dub, noting that "sonically and aesthetically, musicians like DJ Kool Herc," often called the progenitor of rap, "essentially transplanted the Jamaican sound system model" to the Bronx, where it was finally distilled into rap. Drawing on interviews with dub pioneers DJ and producer-recording artist Mikey Dread, Veal posits that dub and hip-hop are "deconstructive compositional strategies" that sensitize "listeners to the microaesthetics of production." Yow! Persuasive if weighty stuff that draws a line of musical development from the studios of Kingston to the bling-encrusted world of hip-hop--and it has a killer discography. Mike Tribby
Copyright © American Library Association. All rights reserved

Review
"Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular." —Library Journal

“Veal deftly outlines the sociopolitical context in which dub arose, and explains how the cut-corner, make-do economics of the Jamaican record business led to a maximization of materials: song begat deejay version(s) beget dub(s)-at least three products for little more than the price of one... Where Veal's book steals a march on the competition is in his technical analysis of how Tubby, Perry, Thompson, Sylvan Morris, and other mixing engineers adapted (and creatively abused) the equipment in studios... He also analyzes a number of tracks by each of the principal dub engineers under discussion...to show the transformation of song to version and dub, all of which is illuminating...(H)e provides valuable information as to where these tracks may be found... (T)his is an extremely bold and interesting book.”—The Wire

Review
“This extraordinary book, with its rich interpretation of the aesthetics and social significance of dub, constitutes a dramatically original contribution to the study of Jamaican popular music, and should be a landmark in popular music studies as a whole.” (Peter Manuel, professor of ethnomusicology, John Jay College and CUNY Graduate Center)

“Veal’s wise volume has rescued Reggae music at last from the tentacles of exoticism. This is a glorious affirmation of dub’s rebel, Creole spirit.” (Paul Gilroy, Anthony Giddens professor of social theory, London School of Economics)

Most helpful customer reviews

33 of 33 people found the following review helpful.
Droppin' Science
By Francois Kevorkian
While there may be some readers grumbling about the author's 'dryness' in this volume, I found it to be a unique and invaluable resource in bringing out many heretofore unknown details of dub production techniques from some of its most revered protagonists.

This book authoritatively helps frame Dub in the greater context of Jamaica's musical and cultural landscape in the second half of the twentieth century, with unique innovations which some would argue has had an immense but vastly under-appreciated impact on the rest of the planet's musical development up to this very moment. The author has managed to provide studio rats such as myself with the luxurious wealth of information that -short of being having been there- some of us had been looking for since first hearing some of these recordings more than a quarter of a century ago, and as such is an invaluable addition to any dub creator's tolbox.

The minute and precise details in which some of this is recounted is a unique asset in helping preserve what has up to now been nothing but soon-to-be-gone and more often than not distorted oral tradition, and its many direct quotes from those key players still alive today will make it a solid historical reference point for those planning to further study this subject for years to come!

It is also welcome and refreshing to read such an account from the writer's African-American perspective, as it brings up many crucial facets of Jamaican music and culture into a sorely needed focus, which up to now has been the province of either ethnomusicologists who for the most part somewhat missed the point, or enthusiasts without the necessary research background and clarity of expression to bring it all together.

There are very few books that arguably helped change one's life. In my case, this is most definitely one of them. It comes with my highest recommendation.

24 of 24 people found the following review helpful.
Imaginative Work on a Revolutionary Musical Form
By Anonymous
A book like this is long overdue. The simple fact that it was published makes it good. Of the two most important strains of contemporary black music, hip-hop has generated thousands of books and articles, but dub has been largely ignored by the ethno-musicological world.

Dub - Soundscapes And Shattered Songs In Jamaican Reggae by Yale ethnomusicologist Michael E. Veal, is a scholarly work, but don't let that scare you. I know some of you might dislike the book because of its somewhat academic tone, scoff at many of its themes and find them pretentious, but I strongly disagree. This is a terrific analysis. Prof. Veal examines dub in a variety of contexts not only as an expression of Afro-Caribbean culture and the Jamaican music business but as an art form and creative process comparable to just about every modern, futurist and post-modern movement from dada and surrealism to conceptual art, from Luigi Russolo and John Cage to its influence on hip-hop and worldwide dance-pop culture.

It's not all dry, academic stuff. The man knows, and more importantly, loves his dub music. First, Prof. Veal shows us his dub credentials by going into detail about Jamaican music. But instead of the more familiar reggae legends about impoverished young ghetto singers and gun-toting producers, Veal's emphasis here is on recording studios, audio equipment, and the engineers themselves. After all, dub mixed at the various studios sounded the way it did because of the improvised, often homemade technology the early reggae engineers used. Syd Bucknor, Sylvan Morris, Graeme Goodall and Byron Smith are all mentioned, moving on to Tubby, Errol ET Thompson at Randy's, Channel One etc. There's a lot of interesting information about how JA studios developed during the late 60s and 70s.

Veal also compares dub with rock psychedelia and the use of ganja, but also notes that many of the most famous dub originators didn't smoke (Tubby and ET, for example) and while some reggae figures insist dub is not "ganja" music, others insist it most certainly is. Dub can be seen as similar to psychedelia's liberation from sonic slavery, but it seems unlikely that Jamaican engineers were listening to Pink Floyd's Ummagumma. On the other hand, a certain amount of psychedelia's production techniques like echo/delay and phase shifting made their way into some American R&B and Soul records of the late 60's and early 70's, which have some rather proto-dubby-sounding parts. These records would've been familiar to Jamaican musicians at the same time dub began to appear, and are likely to have influenced them.

Prof. Veal conducted dozens of recent interviews with various figures connected with dub's 70's heyday. "Fortunate survivors" would perhaps be a more accurate way of describing them, given the all too common murders and early deaths which are a tragic fact of life in JA. The dark, moody and aggressive nature of much dub is also considered as a reflection of the crime and violence in Kingston's ghettoes. These interviews contain a wealth of comments which help shed new light on the development of dub. Sadly, the fact that a book on dub has taken 30 years to appear means that King Tubby and several others aren't around to offer their comments

Then, he takes us through a few carefully analyzed mixes by various engineers. It's good to see others besides Tubby and Scratch getting their due credit. Here, Prof. Veal shows us he really listens to this stuff like a truly obsessed fan. Starting with some late 60's Studio One productions, he describes the recordings in great detail, noting the peculiarities of the mixes, instrument placement, sound quality and tape hiss. He describes how the mixes were done based on his interviews with the engineers, what key the tunes were played in, how echoed/delayed chords and vocals create strange rhythmic and harmonic juxtapositions, even noting the echo/delay rates used, the qualities of various types of reverb equipment, and how the signal path through the mixing board created certain sounds. There's a lot of interesting comments by the engineers; Jammy says his best mix ever was "Jammy's A Shine", his powerful, mind-blowing dub of Ronnie Davis' cover of the Wailer's "Sun Is Shining" produced by Bunny Lee around 1977-78. "That record mash up Jamaica and England and Europe and them places completely!" says Jammy.

Professor Veal explores the concept of dub as a process rather than product, which transforms the "truth" and "reality" of a normal reggae tune, its sounds unfolding and being turned inside out in the mix, causing the listener to question the authority of their preconceived notions. This was similar to the goal of dada/surrealism (to take one example) and thus dub can be considered to be part of the 20th century's avant-garde tradition. Many of the themes have been briefly discussed by music critics in the pages of The Wire and the liner notes to the Macro Dub Infection compilations for instance, but Veal devotes 300 plus pages to it, and expands on dozens of the same thoughts and feelings about dub as I (and others) have had for these last 25 years. Slavery and colonialism, the Afro-futurist sonic sci-fi of Sun Ra and Lee Perry, class and race issues, technology and information, all get name checked. The fact that Veal's themes are sprawling yet coherent demonstrates the importance of this music.

I've always felt it is probably one of the most revolutionary developments in late 20th century "pop", and Veal also touches on this line of reasoning. Dub radically subverts traditional structures of harmony, rhythm and composition. Dub disrespectfully ignores the notion that every recording of a musical performance is sacred and must not be technologically tampered with because it destroys the integrity and authenticity of the musicians' "artistic expression" as caught on tape. The implications of this subverts the idea that a piece of music (or any art) is "complete" in only one, final form, as intended by its "creator", and ignores ownership and copyright issues. Thus it can be compared to such figures such as Cage, Stockhausen, Warhol, Duchamp, Derrida, Deleuze and Guatarri, post-structuralism and deconstructionism (etc bla bla bla). Dub wallows in gimmicky, anti-musical sound, using echo, fade-ins and outs and other sound effects in totally inappropriate ways which an "authentic" "serious" musician would find absolutely appalling. It not only re-mixes, but it re-thinks, ignores, or gleefully violates practically every rule in the book. The same things were said about bebop back in the 40's, but ironically it is often the jazz purists who loathe musical developments like dub and hip-hop. Like the use of sampling, dub's entire assault on musical convention infuriates traditional, conservative musicians, and on balance, this is certainly a good thing. That's what makes dub so innovative and important, and of course so much fun.

These days, when there are so many people creating what Adrian Sherwood calls "designer dub" - a reggae composition intended to be "dubby" from the start, Veal reminds us that "dub" cannot really exist without a "vocal" version to compare it with - dub is a process of transformation. That's what makes dub so powerful. It's far more dramatic when you hear the vocal followed by the dub (or perhaps vice-versa). A "dub" tune by itself may sound good on its own terms, but it will be far more thrilling when heard in contrast to its traditionally-mixed vocal cut. Obviously, the 12" and "showcase" LP are the ideal formats for this.

I'm really impressed with this book, and it's about time someone from the academic world gave dub some serious consideration as a major, influential musical art form.

4 of 4 people found the following review helpful.
Great resource for musicians, producers and students of popular culture
By F. M. Coleman
This is a book written by an academic, but it has applications for anyone interested in this kind of music. After covering the development of modern Jamaican music from independence in 1962 on, he devotes a lot of space to analysis of the different recording strategies used by most of the well-known originators of dub and breaks down individual tracks in some detail, even detailing the specific equipment used by many producers. As someone who records and mixes my own music I found this kind of information really useful and inspiring and it has already caused me to question some of my own creative strategies and techniques. The second half of the book looks at the music in its political and historical context and follows the influences of dub in modern music. A book like this has long been called for. I remember the frustration of talking to young DJs who were all about 'dub' but actually didn't even know the music had originated in Jamaica. Dub was an extraordinary moment in modern music and deserves the seriousness of this treatment. One presumes that had this music originated in Europe they would be devoting university courses to it. Some readers may find the second half of the book a bit dense, but I loved all of it.

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The definitive edition of the historic essays by ALEXANDER HAMILTON, JAMES MADISON and JOHN JAY, fully annotated and reproduced from the original text.

• Sales Rank: #873041 in Books
• Brand: Brand: Wesleyan
• Published on: 1982-07-15
• Original language: English
• Number of items: 1
• Dimensions: 8.48" h x 1.52" w x 5.58" l, 1.78 pounds
• Binding: Paperback
• 702 pages

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From Library Journal
The work known as The Federalist was initially published as newspaper installations throughout 1787 and 1788. The "Gideon" edition was published in 1818 and includes corrections to earlier editions by James Madison and Hamilton. This version includes those texts plus a new introduction, notes, a glossary, and the complete Articles of Confederation, Declaration of Independence, and U.S. Constitution with cross references. A high-quality, scholarly edition for a great price.
Copyright 2001 Reed Business Information, Inc.

Review
“The present edition . . . is the most complete and accurate that has yet appeared . . . Everyone who is interested in either the principles or the practice of government—in the age of the Fathers or in our own era of perplexity—should read it in part at least.”—Dumas Malone, History Book Club Review

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From the Publisher
5 1/2 x 8 trim. LC 82-2815

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1 of 1 people found the following review helpful.
The Constitution explained
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The Federalist Papers
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Getting the American colonies to adopt a Constitution was no easy feat, At the same time, it was generally recognized that the existing Articles of the Confederation were insufficient to amalgamate the colonies into a nation.

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