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# Download Ebook Of the Presence of the Body: Essays on dance and Performance TheoryFrom Lepecki, Andre (EDT)

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Of the Presence of the Body gathers nine original essays by eminent scholars in the fields of dance and performance studies. Its focus is the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance—in other words, how dance operates as critical discourse. The question that runs throughout the essays is the theoretical and political problem of “how dances come to be seen,” how the presence of the body leaves its mark on critical theories and performances.

Focusing exclusively on 20th century dance, the interdisciplinary perspectives range from history to race studies, deconstruction, Marxist theory, feminist theory, literary studies and feminist ethnography. The anthology provides an overview of the current methodologies and theoretical developments in the field of dance studies. These essays expand our understanding of the performing body, and their organization around the epistemological problem in dance studies—the dynamics of seeing, remembering and writing—will make the collection useful for classes in dance criticism and theory, cultural theory, performance studies, and aesthetics.

CONTRIBUTORS: Barbara Browning, Ramsey Burt, Thomas De Frantz, Mark Franko, André Lepecki, Karmen MacKendrick, Susan Manning, Randy Martin, Peggy Phelan.

Sales Rank: #734887 in Books
Brand: Lepecki, Andre (EDT)
Published on: 2004-03-24
Original language: English
Number of items: 1
Dimensions: 8.80" h x .56" w x 6.38" l, .64 pounds
Binding: Paperback
192 pages

Review
"Of the Presence of the Body offers contributions to the fields of dance and performance studies that range from truly extraordinary and intellectually powerful to merely effective and articulate. Seldom are so many strong voices gathered in one place." -- Amy Koritz, Associate Professor English, Tulane University

Review
“Of the Presence of the Body offers contributions to the fields of dance and performance studies that range from truly extraordinary and intellectually powerful to merely effective and articulate. Seldom are so many strong voices gathered in one place.” (Amy Koritz, Associate Professor English, Tulane University)

“This exciting collection of essays, brought together by one of the best critical thinkers on contemporary performance practice, not only provides a lucid and timely insight into the complex relations between presence, embodiment and performance, but also recognizes the field of dance and choreography as a dynamic focus for critical thought that can challenge current cultural, social and political assumptions.” (Ric Allsopp, Joint Editor Performance Research; Dartington College of Arts, UK)

From the Publisher
6 x 9 trim.

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0 of 0 people found the following review helpful.
Relevant Critical Essays
By Heather White Hagar
Andre Lepecki’s book Of the Presence of the Body exemplifies the power of the collaborative union. All nine authors and their writings embody relevant discussions transpiring in both the academic and professional fields of dance choreography. The performativity of Peggy Phelan’s essay is truly compelling. Ms. Phelan’s literary approach finely weaves a feministic tapestry of dance criticism, personal relationships, choreographic works, and human existence. Her work brings home the philosophy of the “in between” moments of art and life.

Mark Franko’s Given Movement Dance and the Event considers the situation of artistic response to 911. Mr. Franko’s dissertation re-examines the location of dance between ‘performance and event’ following the devastating act of terrorism on September 11th. French philosopher Jean-Francois Lyotard suggests “one could call an event the impact, on the system, of floods of energy such that the system does not manage to bind and channel this energy; the event would be the traumatic encounter of energy with the regulating institution.” Mark Franko goes further by stating, “an event happens by passing through the body without the body’s ability to contain, bind, or channel energy.” Franko believes the method of transmission is what connects the force of the event with the force of the artistic work.

Other assembled essays compare and contrast a wide range of cultural, social, and political discourse with various dance works. Lepecki’s book has been a wonderful source for my academic research. I highly recommend this book for graduate level dance candidates.

0 of 0 people found the following review helpful.
Can dance render (perhaps better than “respond to”) the disaster
By Susannah LeMarquand
Of the Presence of the Body by Andre Lepecki, is a collection of essays by known dance scholars, discussing their interpretations of how the politics of the world can inform not only choreographic works but the bodies that participate in these studies of movement. Topics range from Geneology to Ontology with articles written by such authors as Susan Manning, Mark Franko and Peggy Phelan and Lepecki himself. While some articles are a difficult read, often using terminology and concepts that most might have to explore on their own before continuing, it is clear that we have found a book where each contributor has given the reader many ideas to contemplate in regards to the artistry of dance and how it is influenced by the politics, history and culture of the surrounding world. It also questions how a present body can also help stimulate such choreography and cause the audience to ponder these issues through artistic expression.
Of particular interest is Mark Franko’s essay “Given Movement: Dance and the Event”. Franko questions the artistic responses to 9/11 and where exactly can dance find its place between performance and event. Asking such questions as “Can dance respond to the event? Is “response” (in the terms of a dance) actually what is called for? Can dance render (perhaps better than “respond to”) the disaster?”
His dissection of what it means to create in “response” to an event could cause choreographers to rethink their own interpretations of movement.

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Original language: English
Dimensions: 11.00" h x 8.50" w x .50" l, .0 pounds
Binding: Paperback
216 pages

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Minggu, 28 September 2014

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Sales Rank: #16496312 in Books
Published on: 2004-09-30
Original language: English
Dimensions: 10.50" h x 8.25" w x .75" l, .0 pounds
Binding: Paperback
132 pages

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During its seven-year run, Buffy the Vampire Slayer attracted a wide range of viewers and almost unprecedented academic interest. Sex and the Slayer explores one of the most talked-about topics in relation to this pioneering TV series—gender. As fantasy, Buffy potentially opens up a space for alternative representations of gender. But how alternative can popular television be?
Taking a feminist cultural studies approach, Jowett explores the ways in which the series represents femininity, masculinity, and gendered relations, including sexuality and sexual orientation. Written for undergraduates, Sex and the Slayer provides an introduction to the most important theoretical and historical underpinnings of contemporary gender criticism as it examines a range of thought-provoking issues: role reversal, the tension between feminism and femininity, the “crisis” of masculinity, gender hybridity, the appeal of bad girls, romance, and changing family structures. Through this introductory analysis, Jowett shows that Buffy presents a contradictory mixture of “subversive” and “conservative” images of gender roles and as such is a key example of the complexity of gender representation in contemporary television.

Sales Rank: #1038907 in Books
Published on: 2005-04-15
Original language: English
Number of items: 1
Dimensions: 9.26" h x .61" w x 6.26" l, .82 pounds
Binding: Paperback
254 pages

Review
“Ultimately, Jowett’s analysis of the genres and gendered negotiations of Buffy provide both a useful introduction to gender analysis of popular culture artifacts and a commentary on femininities and masculinities in post-feminist society. Because Jowett includes an introduction to the terminology of gender studies and grounds her analysis in the specific events and characters of the show, her book would make a good resource for undergraduate courses in gender studies or pop culture analysis, provided the book is paired with clips from the television show (all seven seasons are currently available on VHS and DVD).”—Terri A. Fredrick, National Women’s Studies Association Journal, Summer 2006

Review
“A highly nuanced, jargon-free discussion of the nature, role and place of gender in Buffy. Anyone who thinks Buffy is “post-feminist,” “feminist,” or just a silly television show needs to read this book.” (James B. South, editor of Buffy the Vampire Slayer and Philosophy)

“The book is not only an excellent introduction to gender studies but also contains an insightful, original, and erudite chapter about the men of Buffy. It is a must-have for all serious Buffy fans and scholars. An impressive achievement.” (Justine Larbalestier, author of The Battle of the Sexes in Science Fiction)

From the Publisher
6 1/8 x 9 1/4 trim. 17 illus.

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3 of 6 people found the following review helpful.
Insightful!
By Stephanie R. Kennerley
I love Buffy the Vampire Slayer, as well as gender issues. This book was an interesting mix of the two, expounding on the gender messages in Buffy.

14 of 14 people found the following review helpful.
You don't know what you are, what you will become...
By oldfan
This book was my first introduction to serious gender-studies criticism. I found it to be a well written and illuminating foray into both the academic discipline and the show. The character studies are very satisfying. I recommend the book both to academically inclined fans of the program and to readers who are knowlegeable about the show and are curious about contemporary criticism. There is now a good selection of insightful works, both book-length and essays, using Buffy as a platform to discuss cultural, social, and religious issues. I wish all academic studies were as lucid as this one.

47 of 62 people found the following review helpful.
Despite not finding the gender studies approach helpful, a very good discussion of BUFFY
By Robert Moore
I have very mixed feelings about this largely excellent book about BUFFY THE VAMPIRE SLAYER. The author, Lorna Jowett, is obviously an exceptionally well-informed student of BUFFY and knows the show backwards and forwards. The book bristles with insights about the show and about individual characters, as opposed to the narrative structure as a whole, on which I find the book much less helpful. In a way this is to be expected, since in focusing on gender issues, you focus on the individual characters that incarnate gender-related traits and characteristics. I have read pretty much every serious and all academic books that are currently in print on BUFFY and at this point to learn new things about the show is getting progressively more difficult; nonetheless, I learned a great deal from the book. I'm going to say a couple of critical things in a second, but before I do I want to emphasize that I definitely found reading this to be a rewarding experience and I think any fairly literate BUFFY fan who has some experience in reading academic books is going to both enjoy this and learn from it, regardless of whether they agree with the approach or not. So I want to be clear: despite a disagreement with the central approach of the book, I found this to be an exceptionally rewarding read. The book is also graced with a large bibliography that will aid serious readers in compiling BUFFY-related bibliographies.

Before proceeding, I need to say something about my own stance towards women's issues. Although I'm a guy, I'm a fairly serious student of the history of women's issues, to the point where I am currently engaged in a writing project about women's issues (specifically about the possibility of future empowerment of women through higher education-women are increasingly comprising the majority of both undergraduate and graduate students in America-and redefinition of women in popular culture). My own perspective, however, is very much from concepts drawn not from gender studies but from political and moral philosophy. I see the oppression of women by any means as primarily a justice issue and not a gender issue. One cannot ignore the history of the way male-dominated structures of power have repressed women, but my own belief is that this is most profitably done by analyzing it through questions of justice and fairness. For a variety of reasons, I feel that this is far more to the point. The reason I point this out is that the opposition to a gender studies approach that I'm about to articulate could easily be misrepresented as an anti-female approach, which simply is not the case. I take considerable pride in the fact that several highly educated feminists have told me that they wish all men viewed women's issues the way that I do. (And I hope that wasn't damning me with faint praise.)

I simply can't follow Jowett in any part of the book where she begins to dissect characters on gender-related distinctions. Since this is a considerable part of the book, I acknowledge that I have a problem with much of the book's content, though as I mentioned above I learned a great deal, simply because not everything she says is parasitic upon gender distinctions. I don't have room here to explain why I find gender distinctions in this kind of discussion unhelpful. I believe that the vast majority of individuals engaged in gender studies would acknowledge that the traits that they ascribe to femininity or masculinity are largely accidents of history, pertinent to a particular society or even most societies, but not universal. For almost every trait that a particular society attributes primarily to one gender, there are cultures or societies or tribes that completely subvert that. We know, for instance, of societies where men take primary care of the young and others where women are the leaders. Or we know of more complex arrangements, such as in some Native American tribes, where men were the leaders, but the leaders were chosen by women. In other words, there are no traits that are necessarily and permanently feminine or masculine. One has to tie such concepts to a particular society. Nonetheless, many who write in gender-specific terms frequently fall into a pattern whereby what they are writing about sounds more definite than this. Jowett is often guilty of this. She writes in a way whereby "feminine" and "masculine" qualities seem to be less marks of society than of men and women. In other words, they seem almost more like natural rather then acculturated qualities. I don't think she would defend that in the end, but nonetheless like most she can sound that way. For my part, I have never understood what is to be gained by coding any quality as female or male, feminine or masculine. For instance, the notion of "caring." Jowett writes of coding "caring" as feminine or aggression as "masculine." Even when one grants that in our particular society there may be a greater propensity for men to be aggressive and women to be caring, we can all also think (at least I can) of men who are far more caring than most women and many women who are more aggressive than most men. "Caring" may be more prevalent among women, but in the end it really emerges more as a human quality than a quality in any but a highly contingent way tied to a particular gender. And that is true for almost any quality that one tries to tie to any gender labeling.

Put the question another way: what are the necessary and sufficient conditions for something to be feminine and not masculine? No matter what content you ascribe to this, you can easily end up with "masculine" women and "feminine" men. I'm simply not sure what is to be achieved by such "coding." I don't find it especially empowering in either political or moral analysis. I'm quite interested in models for normative behavior and I find moral discourse to be far more helpful in this regard. If I find someone's behavior rude and aggressive, I find it more to the point to talk about how this indicates a lack of respect and empathy, not whether it is feminine or masculine.

Likewise with BUFFY. One of the reasons I have been so impressive by BUFFY is that I think it may possibly have achieved one of Joss Whedon's stated goals in creating the show: to create a cultural icon. All finer distinctions aside, there is little doubt that Buffy is a power symbol of female empowerment in popular culture. Pre-BUFFY very, very few women got to be the heroes in their own stories on TV, and if they did, it was always in a domestic context. Once you get past Emma Peel and Wonder Woman, about the only strong women on TV were career women like Mary Tyler Moore. Post-BUFFY there has been an explosion of strong female characters, including Xena (pre-TV show BUFFY but post-film), Sydney Bristow of ALIAS, Max Guevara on DARK ANGEL, Aeryn Sun, Zhaan, Chianna, and others on FARSCAPE, and Veronica Mars. I find discussions of how this has or can affect the way that women are perceived to be endlessly fascinating. I fully believe that the effect of BUFFY on the actual possibilities for women in our society has not yet been appreciated. In raising my daughter as a single father I was acutely aware as she grew up how few strong female characters there were in movies and TV. It is beside the point to point out that normal women aren't super empowered like Buffy, technologically enhanced like Max, or warriors like Xena. Normal men aren't super empowered like Superman or Spiderman, or preternaturally gifted fighters like Bruce Lee, or super warriors like Rambo. The point, rather, is that whereas before BUFFY it was unheard of to have remarkable women on TV though it was possible to have remarkable men, now we think nothing of a new female hero. And the acceptance of these new women heroes is a small indication of the way that society is accepting an enlarged role for women. But one doesn't have to resort to gender distinctions to get at any of this.

My belief is that gender studies all too often is a rather abstract game that is played among other gender studies specialists. It is not nor is it ever likely to be a discipline that resonates with the broader public. The kinds of gender distinctions made here don't hit people where they live or even think. I think it is immensely important for scholars like Carolyn Merchant to talk about ways that specifically masculine modes of thinking have informed our thinking about nature, but I find her the exception rather than the rule in the field. My suspicion is that Jowett would code me as a heterosocial, heterosexual "New Man," but I'm left without a good sense of what that really means.

To accept all the premises of the book, one needs to be converted to gender studies first. And I'm afraid that the book in that regard fails. But as I said at the outside, on BUFFY-related matters the book is often a glittering success. It also is a wonderful testimony of how exceptionally rich and multi-faceted the show is. I've had some debates with some of my friends who know I love BUFFY but haven't watched the show themselves. They wonder why I love BUFFY more than shows they wrongly imagine more "intelligent" than it, like THE SOPRANOS or SIX FEET UNDER. Yet neither of these shows has generated anything even remotely like the sustained intellectual debates surrounding BUFFY. Lorna Jowett's book is a wonderful illustration of how good BUFFY really is, for how could a silly teen drama (which non-initiates often imagine the show to be) generate such a remarkably intelligent book?

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This full-color book begins with a detailed study of the nature of color images-including natural, multispectral, and pseudocolor images-and covers acquisition, quality control, and display of color images, as well as issues of noise and artifacts in color images and segmentation for the detection of regions of interest or objects. The book is primarily written with the (post-)graduate student in mind, but practicing engineers, researchers, computer scientists, information technologists, medical physicists, and data-processing specialists will also benefit from its depth of information. Those working in diverse areas such as DIP, computer vision, pattern recognition, telecommunications, seismic and geophysical applications, biomedical applications, hospital information systems, remote sensing, mapping, and geomatics may find this book useful in their quest to learn advanced techniques for the analysis of color or multichannel images.

Sales Rank: #4454387 in Books
Published on: 2011-08-04
Original language: English
Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.10 pounds
Binding: Hardcover
434 pages

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There remains a constant need for new perspectives on the liturgical church seasons in order to keep them spiritually fresh and to bring them to life in new ways. This book will enable Christian readers to experience a new depth in their faith journey as they celebrate the season of Advent.

This is a short book of spiritual meditations for the Advent season on the four "Middle Eastern" songs sung around the birth of Jesus: canticles that play an important role in the liturgical worship of the church over the centuries. These canticles include: the Song of Mary (Magnificat), Song of Zechariah (Benedictus), Song of the Angels (Gloria), and Song of Simeon (Nunc Dimittis). The devotions emphasize the Middle Eastern cultural elements of these songs.

From the Introduction: "These ancient Middle Eastern Advent songs remind us that regardless of our life situations, regardless of what we are experiencing now or what we'll face in the future, God always desires to overwhelm us with divine faithfulness, surprising us when we expect it least and yet need God most."

Sales Rank: #2020200 in Books
Published on: 2009-10-01
Original language: English
Number of items: 1
Dimensions: 7.25" h x 5.25" w x .50" l, .45 pounds
Binding: Hardcover
112 pages

Review
"Incarnation is about something local and particular. It is not a general principle about how God acts, but an affirmation that God has acted in a specific time and place - that God has spoken a particular language, met particular people, eaten particular food. This very moving little book brings home that particularity, reminding us about the actual realities of the Middle East at the time of Jesus - and then shows how that once-and-for-all incarnation opens up new insights not only about God's involvement with the Middle East now, but about God's involvement with us all as we try to make the gift of Jesus real for ourselves and our human neighbors today." --Dr. Rowan Williams, Archbishop of Canterbury

About the Author
Rev. Paul-Gordon Chandler is Rector of the Church of St. John the Baptist/Maadi, an international English-speaking Episcopal/Anglican church in southern Cairo. Previously he served as the President/CEO of Partners International, an international ecumenical Christian non-profit that helps indigenous Christian NGOs in over 70 countries in the Two Thirds World. He has also served as CEO of the International Bible Society and as director of SPCK.

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Here's the Perfect Book to Learn How to Live in A State of Readiness
By W. Terry Whalin
I did not grow up in a church tradition which celebrates Advent each year. In the last fifteen years of my life, I've belonged to churches which do celebrate Advent. SONGS IN WAITING provides fresh insight about the significance of the season. In the opening pages of the book, Paul-Gordon writes, "Advent was seen as a time to look both backward and forward: backward, in celebration of the birth of Christ, and forward, with the expectation of God's coming to us anew. Thus Advent is a time to celebrate the past and anticipate the future; "living in Advent" is about being in a state of readiness for the continual coming of God into our lives." (Page 3)

Paul-Gordon Chandler has lived in the Middle East for many years and mixes his stories and experiences with well-written teaching about the historical significance of Advent. Four brief chapters are focused on four ancient Advent songs and combined with beautiful artwork from Daniel Bonnell.

Here's a beautiful book which you could read aloud to the family or read yourself each year and find new depth and insight with each reading. As he writes, "As we look at these four ancient Middle Eastern Advent songs, we are reminded that God loves to surprise us when we are most in need of divine help, and that in so doing, provides surprises that are so much more wonderful than we could ever have imagined." (page 15)

I highly recommend SONGS IN WAITING.

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Sabtu, 20 September 2014

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This collection of works on advances in laser remote sensing for terrestrial and hydrographic applications includes 19 papers on related topics such as real-time evaporimeters and hygrometers, and solid state Raman image amplification.

Sales Rank: #14678546 in Books
Published on: 1998-07
Original language: English
Dimensions: .0" h x .0" w x .0" l, .0 pounds
Binding: Paperback
180 pages

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In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act and of its function in human life. The two streams of discussion occupy alternate chapters so that each casts light on the other. The author offers also an answer to what the Musical Times called the "seldom posed though glaringly obtrusive" question: "why is it that the music of an alienated, oppressed, often persecuted black minority should have made so powerful an impact on the entire industrialized world, whatever the color of its skin or economic status?"

Sales Rank: #732452 in Books
Brand: Brand: Wesleyan
Published on: 1999-03-31
Original language: English
Number of items: 1
Dimensions: 8.48" h x 1.30" w x 5.45" l, 1.32 pounds
Binding: Paperback
509 pages

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Used Book in Good Condition

Review
"A magnificent book about Afro-American music and its impact on western culture." —Race and Class

"A real gem: deeply committed, pesuasively argued and imbued throughout with a love and understanding of the music."—The Wire

“Essential for anyone interested in obtaining another perspective on the aesthetics of African-American music and hot it relates to culture.” —The Black Perspective in Music

"Christopher Small has written a magnificent book about Afro-American music and its impact on western culture. He totally fulfills his aim of showing that black American music has become of far greater human significance than any superficial assessment of classically-oriented evaluation would allow."—Race and Class

Review
"I think this is the best and most comprehensive book about African-American musicking this century. As such, it will continually encourage us to celebrate our liberation from abstract knowledge, competitive individualism and the death dealing industrial state." (Charles Keil, SUNY at Buffalo)

“This book makes an enormous contribution to our understanding of the complex interweaving of African and European musical and cultural traditions that have brought African-American music and most other American musics in to being. His mastery of both musical traditions-as well as his acute sensitivity to the cultural and political contexts for musical production –sets this book apart. A must read for those of us concerned with the production of twentieth-century music and for those of us who wan to unravel the history of race, racism and cultural hybridity in America.” (Tricia Rose, author of Black Noise: Rap Music and Black Culture in Contemporary America)

From the Publisher
5 1/2 x 8 1/2 trim. LC 98-23578

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** Ebook Free Brutal Intimacy: Analyzing Contemporary French Cinema (Wesleyan Film), by Tim Palmer

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Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France’s growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France’s cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.

Hardback is un-jacketed.

Sales Rank: #6044457 in Books
Brand: Brand: Wesleyan
Published on: 2011-03-15
Original language: English
Number of items: 1
Dimensions: 9.30" h x 1.00" w x 6.20" l, 1.35 pounds
Binding: Hardcover
304 pages

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Used Book in Good Condition

Review
"An invigorating and enjoyable account of French cinema which is inspiring in its passion and enthusiasm for its subject." - Fiona Handyside, Modern and Contemporary France

"Brutal Intimacy represents a unique introduction to recent French cinematic trends and styles... Cinephile readers, fans or not of the films Palmer analyzes, will nonetheless greatly appreciate having an amplified view into what is, indeed, the diversity of contemporary French cinema." - Joan M. West, The French Review

"Through its breadth, depth and the many films referenced, this book is a celebration of French cinema... [T]hose cinema lovers who wish to understand all aspects of contemporary French cinema will be surprised at how in Brutal Intimacy Palmer makes the complex understandable." - Caroline Walters, Film-Philosophy

"Highly recommended (for) lower-division undergraduates through faculty." --RP Kinsman, Choice

"A stunningly novel account of a decade of production in French cinema...[P]erhaps Palmer's defence of the young and the new is precisely what French film studies needs at this present moment."--Emma Wilson, French Studies

"Ultimately, Brutal Intimacy will prove to be a useful guide for students (undergraduate and postgraduate), teachers and lovers of contemporary French cinema..."--Andrew Asibong, H-France Review

"Brutal Intimacy is essential for anyone with an interest in studying French cinema" -- Leo Collis, Film International

Review
“Surveying the film d’auteur of the last decade or so, Brutal Intimacy accomplishes something rare and noteworthy: to study contemporary art works with the critical distance of a cultural historian. This is truly a ‘history of the present time.’” (Alan Williams, author of Republic of Images: A History of French Filmmaking and professor of French and cinema studies, Rutgers University)

“These beautifully balanced, sensitive analyses of mainstream and popular films―as well as the rich group of films by young and well-established women directors―Palmer explores how French cinema is inescapably French even when it tries not to be.” (Phil Powrie, professor of cinema studies, University of Sheffield, general editor of Studies in French Cinema)

About the Author
TIM PALMER is an associate professor of film studies at the University of North Carolina–Wilmington. His articles have appeared in journals such as Cinema Journal, Journal of Film and Video, Studies in French Cinema and the French Review. He is cofounder and co-editor-in-chief of the journal Film Matters.

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~~ Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus

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CONTRIBUTORS: Elizabeth Young-Bruehl.

Sales Rank: #1159272 in Books
Brand: Brand: Wesleyan
Published on: 1991-08-15
Original language: English
Number of items: 1
Dimensions: 8.42" h x .59" w x 5.56" l, .55 pounds
Binding: Paperback
189 pages

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Used Book in Good Condition

From Publishers Weekly
Camus ( The Stranger ) was one of the editors of Combat , a newspaper of the French Resistance, during the last two years of WW II and after. This collection makes available in English for the first time 40 editorials he wrote for the paper and his letter of resignation. The pieces allow readers to track his political evolution at the time, groping his way from "machine guns when necessary" to "the refusal to legitimize murder," as his disillusion with post-Liberation French politics grew. Regrettably, few things age as badly as newspaper editorials. Although Camus declaims, "We need words that are more direct and true," the writing here often is bloated and pompous. De Gramont's translation reads well, and his introductory essay is succinct and informative, briefly tracing the history of the Resistance and Camus's role in it. The book does contain flashes of the moral outrage that won this Nobel laureate acclaim as a novelist and essayist, and its historical interest is undeniable, but readers looking for more will be disappointed.
Copyright 1991 Reed Business Information, Inc.

From Library Journal
Thoughtful and well organized, documented by an informative 32-page introduction as well as by notes, this book presents Camus's (1913-1960) political credo during 1944-47. At that time, he was editor of the journal Combat , initially published clandestinely by the French Resistance. Until now, only a few of the editorials have appeared in English; this book collects 41 of the most important, dealing with Camus's views on the nature of revolution, his hopes for the new society (which he thought would emerge after the war), and his gradual disillusionment with the impact the Resistance would have on French politics. The title is taken from a 1945 editorial, "On the Bombing of Hiroshima," which asks that we "choose definitely between hell and reason." For those familiar only with Camus's novels and theater, this is an excellent introduction to the political thinking that illuminates all his work.
- Danielle Mihram, Univ. of Southern California Lib., Los Angeles
Copyright 1991 Reed Business Information, Inc.

Review
“An excellent introduction to the political thinking that illuminates all Camus’s work . . . This book presents his political credo during 1944–47 [when] he edited the journal Combat, initially published clandestinely by the French Resistance”—Library Journal

“Intensely personal, unsystematic, impassioned, partial, utopian, the essays illuminate central insights of [Campus’s] imaginative works.” —Freedom Review

“In this remarkable series of brief documents we get an inspiring picture of a man blessed with sanity and courage…Camus was one of the most sane and honest men of the century, and this document records for the first time in English his complete editorials for Combat, which will serve as a warning to revolutionaries even in the centuries to come.”—Booklist

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9 of 9 people found the following review helpful.
Good essays, but collected better elsewhere
By J. Edgar Mihelic, MBA
I liked the essays, but I liked them better in the more fleshed out "Camus at Combat," which in my opinion has better translations for the English reader.

1 of 1 people found the following review helpful.
Freedom, justice and peace
By Luc REYNAERT
These selected editorials for the Resistance newspaper Combat written from 1944 till 1947 reflect perfectly Albert Camus’ vision on international and national politics, on economic and social issues and on the cardinal conditions necessary for human happiness, the ultimate aim of all human actions: freedom, justice and peace.

The ultimate aim of all human actions
Albert Camus’ nirvana for mankind is ‘a superior order that will give us a nation at peace with itself and its destiny, where each has his share of work and leisure, where workers can work without bitterness and envy, where the artist can create without being tormented by the sadness of man.’

Justice and freedom (also for the media)
For Albert Camus, justice means ‘a social state in which each individual starts with equal opportunity, and in which the country’s majority cannot be held in abject conditions by a privileged few’ (those who possess the privileges of money).
For him, freedom means ‘a political climate in which the human being is respected for what he is and for what he says.’
Liberty also means a free press, independent from the powers of money. For Albert Camus, ‘a country is worth whatever its press is worth.’

Economics, politics
What Albert Camus wants is ‘a collectivist economy and a liberal political structure’ (democracy), ‘under which each man is solely responsible for his own happiness and his own destiny.’
Albert Camus was not a communist, because he didn’t believe in historic determinism, what he called ‘the Marxist coherent philosophy of history.’

Peace, not war
For Albert Camus, peace is the only political goal worth struggling for. Internationally, it means that the great powers will not have superior rights over small and middle-sized nations.
He harshly condemned the bombing of Hiroshima and Nagasaki: ‘our technical civilization reached its greatest level of savagery. Science devotes itself to organized murder.’

Albert Camus was a true democrat, marked by the devastating cruelties of two world wars. His father died in WW I. Before and during WW II, he saw the abominable tyranny of fascist regimes. He understood all too clearly the importance of freedom for human happiness, but also its power (free speech) and its openness to action (revolt). He was, indeed, a dangerous writer (Olivier Todd), certainly for the powers that be. He was also a genuine Nobel Prize winner..
Today, our media environment is a far cry from what Albert Camus really wanted, with its media conglomerates controlled by existing big economic / financial interests and its journalists serving as obsequious mouthpieces for the powerful. Where are the Albert Camus of today?

A must read, and certainly for all Albert Camus fans.

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Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus

Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus

~~ Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus Doc

~~ Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus Doc

~~ Free PDF Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947, by Albert Camus Doc

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