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Toward the Open Field brings together many of the great prose pieces—essays, letters, declarations, defenses, manifestos, and apologia—by the most influential European and American poets from the Romantics to the Symbolists, Surrealists, and Moderns. Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse.
The book begins with Wordsworth’s 1802 “Preface” to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation.
Includes work by Charles Baudelaire, André Breton, Aimé Césaire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, Stéphane Mallarmé, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Valéry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.
- Sales Rank: #833345 in Books
- Brand: Brand: Wesleyan
- Published on: 2004-06-24
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.13" w x 5.88" l, 1.25 pounds
- Binding: Paperback
- 368 pages
- Used Book in Good Condition
Review
“Poet and novelist Melissa Kwasny brings together prose pieces—essays, letters, declarations, defenses, manifestos, and apologia—by many influential European and American poets. The anthology pieces follows changing notions of what a poem is, what a poet is, why we read a poem, and the development of stylistic and ideological strategies in verse.” —Poets & Writers
Review
“We know what happened when the Shelleys met by candlelight one summer to tell stories, and now imagine wind has blown the doors open again to welcome twenty-five immortals to Villa Diodati, poets who will guide us through corridors, from romanticism to modernism, to leave us in the basement where cultures of postmodernism grow. A marvelous congery of voices.” (Sandra Alcosser, author of Except by Nature)
“Finally, everything I have up to now been forced to Fac Pac, put on reserve for my poetry workshops, or resign myself to merely quoting from is here in one place!” (Patricia Goedicke, Professor of English and Creative Writing, University of Montana)
From the Publisher
6 x 9 trim.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Fantastic overview of the poetic movements in the modern era
By Jennifer
A fantastic collection of essays written by famous poets from 1800-1950. The progression of various movements of poetry such as surrealism and the interplay between poetic forms and these movements is fascinating. Imagine reading a treatise on painting by a famous painter! This book is the same, except poets! Poets included are: Wordsworth, Coleridge, Keats, Shelley, Emerson, Whitman, Dickinson, Hopkins, Baudelaire, Rimbaud, Mallarmé, Breton, Lorca, Valéry, Césaire, Pound, Eliot, Loy, Hughes, Zukofsky, Stein, Stevens, Marianne Moore, William Carlos Williams, and Charles Olson.
1 of 2 people found the following review helpful.
Seems like a great selection of essays
By Noah Willumsen
Seems like a great selection of essays, but: the translations from the French are appalling. I read Mallarmé's "Crise de vers" alongside the translation here and was shocked. The translation is rarely literal, preserves few of important distinctions (e.g. "élocution" is translated as verse, even though "vers," which is also translated as verse is the central concept of the piece) and has an aggravating tendency to explain what Mallarmé means, instead of reflecting what he wrote. This is a big problem when a text is as ambiguous and open-ended as this one: the translator often just picks an interpretation (in my opinion, generally an implausible one with little textual support), nails it down and deletes whatever might call it into question. Just awful. I couldn't find who did the translation (the editor?), though I can understand not wanting to attach one's name to it.
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