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Crazy Melon and Chinese Apple: The Poems of Frances Chung (Wesleyan Poetry Series), by Frances Chung
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Frances Chung's poetry stands alone as the most perceptive, aesthetically accomplished, and compassionate depiction of a supposedly impenetrable community during the late 1960s and 70s. Written "For the Chinatown People" and imprinted with Chung's own ink seal, Crazy Melon is collects brief poems and prose vignettes set in New York's Chinatown and Lower East Side. Chung incorporates Spanish and Chinese into her English in deft evocations of these neighborhoods' streets, fantasies, commerce, and toil. The title of her second collection, Chinese Apple, translates the Chinese word for pomegranate: there she offers "small crimson bites" of new themes and cityscapes -- delightfully understated eroticism, tributes to other poets, impressions of other Chinese diasporic communities during her travels in Central America and Asia. Its new formal experiments show that Chung's poetic prowess continued to deepen before her early death.
Publication of these two works will finally allow Chung's growing circle of admirers to experience the full range of her skills and sensibility, and will draw many others into that circle. Her poems are an inimitable synthesis of American urban vernacular and imagery, various East Asian and Spanish-language poetics, and a concern for ethnic and feminist cultural and political survival-in-writing that was so vital to American poets around the time that Chung first began to compose. Her always fresh perspective on the worlds around her smoothly shifts through multiple lenses, making wonderful use of her "power to dream in four languages."
- Sales Rank: #1120151 in Books
- Brand: Brand: Wesleyan
- Published on: 2000-12-18
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .45" w x 5.51" l, .56 pounds
- Binding: Paperback
- 189 pages
- Used Book in Good Condition
From Publishers Weekly
Chung died in 1990 at the age of 40, leaving behind several different plans for collections of her work. Poet and scholar Walter K. Lew (Premonitions: The Kaya Anthology of New Asian North American Poetry) has chosen the two manuscripts of the title, which repeat several poems between them. In "Crazy Melon," the earlier collection, Chung captures something of the crepuscular underside of Chinatown culture in the '70s and '80s. As Lew notes in the afterword, Chung's speaker can be flaneur-like, composing poetic miniatures that at once participate in and conflict with the voyeuristic acquisitiveness of souvenir shoppers and amateur Orientalists ("the gypsy men with pocket full of holes/ count their slippery fistful of coins"). At other times, the poems pointedly describe some of the anger, anxiety and alienation of a "Chinese" in New York's Chinatown: "Neon lights that warm no one. How long/ ago have we stopped reading the words/ and the colors? On Saturday night,/ the streets are so crowded with people/ that to walk freely I have to walk in/ the gutter." While Chung's poems do not always display a great virtuosity, some of the later, more formally accomplished poems in "Chinese Apple"Aincluding a pantoum and several quasi-metrical lyricsAseem to succumb to some of the exoticizing the younger Chung would have dismissed or scolded. Nevertheless, many poems are the product of careful attention to rhythmic and tonal effects, and recall the early Williams in their generosity, unorthodox line-breaks and beauty.
Copyright 2000 Reed Business Information, Inc.
From Booklist
Before Chung (1950-90) died, she prepared two book manuscripts of poems, naming them Crazy Melon and Chinese Apple. They consist of verse and prose vignettes of Chinatowns throughout America and in other countries Chung visited. New York's Chinatown, on Manhattan's Lower East Side, was her home community. She was acutely conscious of the peculiarity of Chinatown culture--the linguistic isolation of its elderly and newly emigrated, the tension between its denizens' culture of origin and the cultures that surround it, its never-ending individual and collective battles with racism. She wrote tersely and elliptically about this milieu and with laudable impersonality about events in her own life. She never ranted, but made her points with carefully selected details and bold irony, as when she began the first poem of Crazy Melon^B in Spanish: "Yo vivo en el barrio chino." Three poems appear in both "books." In rescuing from oblivion Chung's artfully provocative multicultural voice, Lew has wisely respected the integrity of her arrangements. Ray Olson
Copyright © American Library Association. All rights reserved
Review
“Her work [is] direct in voice and intensely personal in subject matter. Yet her identity is one that is always being refracted through the larger world . . . This collection’s editor, Walter K. Lew, has done an admirable job of drawing [Chung’s manuscripts] together into a book that is rich with images and Chung’s vital, vibrant voice . . . Chung’s form owes much to William Carlos Williams; many of her poems are compact and oddly moving narratives that give voice to those who are between cultures.”—The New York Times Book Review
“Many poems are the product of careful attention to rhythmic and tonal effects, and recall the early Williams in their generosity, unorthodox line-breaks and beauty.”—Publishers Weekly
“A marvelous poet of working-class experience and urban life. Attuned from the start to the aesthetic as well as social implications of thousands of lives unfolding anonymously in a common space, she honed an art that intimates what can never be represented: the patterns formed by the intersections of all those stories.”—Women’s Review of Books
“[Chung] wrote tersely and elliptically about [the Chinatown] milieu and with laudable impersonality about events in her own life. She never ranted, but made her points with carefully selected details and bold irony . . . In rescuing from oblivion Chung’s artfully provocative multicultural voice, Lew has wisely respected the integrity of her arrangements.”—Booklist
Most helpful customer reviews
0 of 0 people found the following review helpful.
Two Stars
By Marc M. Bobkin
I like rhyme and he doesn't!
0 of 0 people found the following review helpful.
She must have been a wonderful and very interesting person
By Steven R. Severance
Poetry about New York's Chinatown in the 70's and 80's. These poems have beauty and bite. They are written by a politically aware woman who had a math degree from Smith and taught in NYC schools. Wen I finished this book I really wish there were more poetry of hers I could read, She must have been a wonderful and very interesting person.
0 of 0 people found the following review helpful.
Frances Chung's poetry is terrific!
By Travis
I ordered this used book of poetry by the late Frances Chung from Amazon because I could not find it locally. It arrived promptly, was in excellent shape, and I have thoroughly enjoyed her poetry. The book contains many of her finest New York poems.
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