PDF Ebook Trilce (Wesleyan Poetry Series), by César Vallejo
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Trilce (Wesleyan Poetry Series), by César Vallejo
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César Vallejo was born in Peru in 1892. In 1921 he spent three months in prison where he wrote some of the poems in Trilce. In 1923 he left for Paris, where he co-founded a cell of the Peruvian Communist Party. He traveled to Russia, and to Spain during the Spanish Civil War. He died in Paris in 1938, in absolute poverty, devastated by the fall of the Spanish Republic.
Trilce, published the same year as Eliot's Waste Land and also masterpiece of early modernism, is a ground-breaking work that has had an indelible effect on all subsequent poetry in its language. It contains 77 poems considered to be Vallejo's most complex and radical work.
- Sales Rank: #3243537 in Books
- Color: White
- Brand: Brand: Wesleyan
- Published on: 2000-10-01
- Original language: Spanish
- Number of items: 1
- Dimensions: 9.02" h x .85" w x 6.00" l, .99 pounds
- Binding: Paperback
- 304 pages
- Used Book in Good Condition
From Publishers Weekly
Vallejo's poetry combines excruciatingly personal emotions with imagery that at first appears facetious but turns out to be wordplay with a larger purpose. "Hot bakery of my former biscuits, / pure egg yolk childlike innumerable, mother," begins one of many poems that mourn his mother's death; but it is himself he ends up lamenting, since "everyone keeps charging us / the rent for the world where you left us / and the value of this everlasting bread." The 77 poems reflect upon the poet's dual Spanish and Peruvian Indian heritage in a dialect that mocks Spanish grammar with Incan idioms, plays on the similarities between words and tosses in medical terms (Vallejo attended medical school) to enhance the surreal effect. Seiferle's insightful introduction and footnotes serve as necessary maps to the book's political context--Vallejo's assertion of the Incan side of his identity--and intellectual strengths. The sensitive translation of an extremely difficult text in this bilingual edition commemorates the centennial of Vallejo's birth and the 70th anniversary of the book's original publication; ironically, it also coincides with the 500th anniversary of Columbus's discovery of America.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Vallejo was born 100 years ago in a small mining town in north central Peru. Both his grandfathers were Spanish priests. His poetry has come to be highly regarded, and this last volume to be translated into English is considered his most difficult. In fact, when it came out in 1922, the critics were so hostile that soon afterward Vallejo left Peru permanently for Paris. Neither as romantic nor as bohemian as he had been in much of his poetry, Vallejo was here straining Spanish syntax, resorting to technical jargon and distorting typography, hyphenation, and punctuation to convey the harshness of a wide range of unsatisfied or unsatisfying thoughts touching on sexuality, loneliness, and death: "Death on its knees pours forth/ its white blood that is not blood." Vallejo has been translated by the likes of James Wright, Thomas Merton, and Robert Bly, so Seiferle's renderings have a lot to live up to. Her edition would have been improved by a glossary of Vallejo's many ambiguous terms; in fact, there are an alarming number of lexical discrepancies. Appropriate for strong poetry and Latin American collections.
- Jack Shreve, Allegany Community Coll., Cumberland, Md.
Copyright 1992 Reed Business Information, Inc.
Review
"Blake's Milton, Pope's Homer: for the poet the possessive is neither descriptive nor evaluative, but copulative, possessive. Clayton Eshleman earns his apostrophe." —Voice Literary Supplement
"[Eshleman's] versions are hard-earned and thoroughly tested . . . Struggling to read [Vallejo] in both Spanish and English is an invitation to learn [his] strange and disturbingly intimate idiolect. Clayton Eshleman's translation is an excellent point of departure."—Times Literary Supplement
"When Vallejo disarticulates Spanish he does so not out of complacency with his own strangeness, but because he has certain moral and aesthetic truths to express and must utter them in an idion of his own making . . . Vallejo's deepest political impact lies here, in his re-creation of linguistic, and therefore social, order . . . Trilce abounds in neologisms, and Eshleman ushers a number of funky new verbs into English."—The New Republic
"This is a poet's translation: rhythmical, with words often chosen for their sounds as well as their meanings . . . [It] also presents 'a newly established Spanish text,' and is destined to become a classic."—Publishers Weekly
Most helpful customer reviews
1 of 1 people found the following review helpful.
"...will take away the reader's breath."
By America Reads Spanish
"This collection of poems both a bit sad and sweet is the companion piece to a previous volume and is marked by a boldness and profundity that will take away the reader's breath. Vallejo parts company with Surrealism to create his own expressive credo which only consists in surrendering to his own boundless and dark voice." This is as reviewed in "The New Essential Guide to Spanish Reading" which is published by America Reads Spanish: a campaign aimed to increase the use and reading of the Spanish language through the thousands of libraries, schools and book stores in the US.
0 of 3 people found the following review helpful.
Four Stars
By Samina Ali
decent condition
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