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Cited by Soundpost as "remarkable and revolutionary" upon its publication in 1977, Music, Society, Education has become a classic in the study of music as a social force. Christopher Small sets out to examine the social implications of Western classical music, effects that until recently have been largely ignored or dismissed by most musicologists. He strives to view the Western musical tradition "through the mirror of these other musics [Balinese and African] as it were from the outside, and in so doing to learn something of the inner unspoken nature of Western culture as a whole."
As series co-editor Robert Walser writes, "By pointing to the complicity of Western culture with Western imperialism, Small challenges us to create a future that is more humane than the past. And by writing a book that enables us to rethink so fundamentally our involvements with music, he teaches us how we might get there."
- Sales Rank: #277290 in Books
- Brand: Brand: Wesleyan
- Published on: 1996-11-15
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .71" w x 5.49" l, .76 pounds
- Binding: Paperback
- 248 pages
- Used Book in Good Condition
Review
"[A] visionary critique of classical music's industrial-capitalist apparatus . . . Deeply thoughtful and broadly informed." —Robert Christgau, Village Voice
"This combative, infuriating and profoundly stimulating work is no ordinary book. Mr. Small has had the courage to ask some fundamental questions and answers them convincingly with brilliant effect. This is an important, stunningly original book certain to provoke debate for it is an unflattering mirror of our times."—Musical Opinion
"If your course needs a book that summarizes the main themes in Western classical music and interprets all the trends in pretentious 20th Century music as well, this is the one to use."—Ethnomusicology
From the Publisher
5 1/2 x 8 1/2 trim. LC 96-20010
From the Back Cover
Cited by Soundpost as "remarkable and revolutionary" upon its publication in 1977, Music, Society, Education has become a classic in the study of music as a social force. Christopher Small sets out to examine the social implications of Western classical music, effects that until recently have been largely ignored or dismissed by most musicologists. He strives to view the Western musical tradition "through the mirror of these other musics (Balinese and African) as it were from the outside, and in so doing to learn something of the inner unspoken nature of Western culture as a whole".
Most helpful customer reviews
2 of 2 people found the following review helpful.
ideas book
By J. Mincham
Want to know bit more about how the traditions of Western music connect with Newtonian science and our approaches to the scientific method and the development of technology? Interested in exploring the cultural relationships between music as an art form and the societies which produced it? Then this is the book for you. First appearing over 30 years ago. this has become a 'must' for all undergraduate music students as well as people with a general interest in the arts and how they relate to the societies they grew out of.
This is an 'ideas 'book par excellence. Sometimes quite a demanding read, it is, nevertheless, worth the effort. You are going to hear that Brahms symphony or Bach cantata in a different way once you have read this book. Julian Mincham.
8 of 11 people found the following review helpful.
Groundbreaking
By A Customer
Anyone with an interest in the emergence of Avant-Garde in Western classical music should read this book. Those with general interests in music -- in rock or jazz or "world" -- should also pick it up. Small's well-argued points about Western ideals and preconceptions of music -- especially its limitations -- are compelling. A classic in music scholarship!
0 of 0 people found the following review helpful.
Four Stars
By Elizabeth Blakeman
Thought provoking and exciting, despite being 40 years old.
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