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The Two of Them, by Joanna Russ
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Irene, a rebellious product of an American 1950s upbringing, has fled from a repressive and sexist society into a life of apparent equality and adventure as part of the elite Trans-Temporal Authority’s cadre of travelers. Under the tutelage of Ernst, a friend/lover and teacher/father, Irene has achieved status and dignity. Irene and Ernst are assigned to a Muslim world where they meet Zubedeyeh, a young girl whose creativity is being transformed into madness by the male chauvinistic society in which she lives. Vowing to rescue her, Irene unleashes a destructive cycle of violence. Originally published in 1978, The Two of Them is a powerful portrait of a future sexist society. This modern classic conveys its politics with rigor and complexity, in a story filled with suspense and unforgettable characters.
- Sales Rank: #1820647 in Books
- Brand: Brand: Wesleyan
- Published on: 2005-03-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .41" w x 5.60" l, .45 pounds
- Binding: Paperback
- 168 pages
- Used Book in Good Condition
Review
“Joanna Russ is one of the pioneers and luminaries of women’s science fiction… Russ is chronically angry about what happens to women, but she digs deep into her anger and comes up with a rich and lively tale.”—Ms. Magazine
“Russ is a master crafter.”—Washington Post Book World
“Fine science fiction, a challenging sexual polemic, and a wittily, economically constructed novel.”—Kirkus
Review
“Beyond questions of genre or gender, Joanna Russ is one of the best prose writers working in the English language today. The Two of Them is informed throughout by her intelligence, wit and imagination…by her vision of the pertinence and necessity of speculative fiction to feminists.” (Marilyn Hacker, author of Desesperanto)
“The Two of Them is an extraordinary novel.” (Marge Piercy)
From the Publisher
5 1/2 x 8 1/2 trim.
Most helpful customer reviews
14 of 16 people found the following review helpful.
Superb in parts
By David
I've written some pretty cranky reviews lately; it's a pleasure to write a nice one. Parts of this old book are superb--gripping--make you reach the end of a chapter and sit staring at the wall musing on what you just read and saying very quietly, "wow..."
It isn't all like that, alas; if it were, this would be one of the great classics of the SF genre. The superb parts are the middle, when Russ gets her narrative rolling and tells a straight story. The goodness begins with a portrayal of a bright, rebellious teen in the 1950s as she explodes out of her conventional life. It continues as the grown Irene, now an agent for the shadowy Trans-temporal authority, explores the iniquitous depths of Ka'abah, a colony world that is attempting to recreate a society based on a fantasy of the Arabian Nights, and in the process recreating the worst possibly kind of subjugation of the female spirit. Irene finally cannot stomach what she is seeing and determines to rescue one bright 12-year-old girl before her soul is completely crushed. But Irene's partner objects, and things begin to go wrong. Is he patronizing her in a way that is more subtle but just as demeaning, as the Ka'abah men patronize their women?
The problems with the book are the bread on this jammy sandwich. The opening chapter is mannered, self-conscious, distanced in a style of narrative that was just so trendy in the seventies and which is now just plain labored and irritating. It takes grit to wade through this now; I actually wondered why the book was still on my shelves and almost gave up rereading it.
The other slice of bread is the ending. The author intrudes herself here, and not in a clever or cute or insightful way, but in a way that I read today as simply a cop-out. She got to a certain point in the story where her characters were at complete loggerheads with each other and with the world she had designed for them. There was no clear way forward; to get them to any kind of resolution would take tens of thousands more words; so she threw up a firework of style tricks and ducked out behind a puff of smoke.
Still, the middle is just so darn good it redeems the frame. Oh! There's a fair amount of sex here. A lot of sex for 1978, and still today well beyond a PG-13.
0 of 1 people found the following review helpful.
Too Deeply Stereotyped
By TammyJo Eckhart
Feminist science fiction should shake us up and make us think but if it must use stereotypes it should at the very least go beyond them to challenge those destructive ideas.
This book fails to do that and instead ends up creating an out of control, confused and confusing main character in Irene without really giving us enough time to feel connected to her. Her mentor Ernst turns into a stereotyped man as well which was deeply disappointing though why it took Irene so long to see this is confusing.
The narrative even feels stereotyped, jumping around, going from what appears to be clear description to backtracking and undermining... narrative that jumps around is common Russ but this went beyond that in this book. There are actions and dialogue that are poorly tagged adding to the confusion. While it could have been written from one viewpoint (Irene) and primarily the jumps to other viewpoints from time to time only added to the confusion.
Prior to this I loved every piece of fiction and non-fiction that Russ has created; not this one.
11 of 11 people found the following review helpful.
Great Classic Feminist SF
By A Customer
In the vein of the Alyx stories, Russ offers up another gutsy time and space travelling heroine. There's plenty of adventure and plenty of feminist content, as well as some interesting narrative structures. (As when Russ briefly breaks the narrative flow to comment on the story in her capacity as narrator.) Self referential writing can easily become self conscious and stilted. It's hard to pull off, but when it works, it works well. Russ pulls it off. This is vintage Russ--more accesible than The Female Man, and more explicitly feminist than the Alyx stories.
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