PDF Download Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music/Culture), by Peter Doyle
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Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music/Culture), by Peter Doyle
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Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects—reverberation, room ambience, and echo—have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally, the revolutionary age of rock ’n’ roll.
Citing recordings ranging from Gene Austin’s ‘My Blue Heaven’ to Elvis Presley’s ‘Mystery Train,’ Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music. The book traces various imagined worlds created with synthetic echo and reverb—the heroic landscapes of the cowboy west, the twilight shores of south sea islands, the uncanny alleys of dark cityscapes, the weird mindspaces of horror movies, the private and collective spaces of teen experience, and the funky juke-joints of the mind.
- Sales Rank: #1780710 in Books
- Model: 1718029
- Published on: 2005-12-12
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .93" w x 6.10" l, 1.01 pounds
- Binding: Paperback
- 304 pages
Review
"A bracing book that made me realize I'd never really 'heard' so many records I had listened to for decades. It is chiseled, lucid, beautifully written, and so vivid it somehow lets you hear every example without benefit of audio."-- Luc Sante, author of Low Life and The Factory of Facts
Review
“A bracing book that made me realize I'd never really ‘heard’ so many records I had listened to for decades. It is chiseled, lucid, beautifully written, and so vivid it somehow lets you hear every example without benefit of audio.” (Luc Sante, author of Low Life and The Factory of Facts)
“Reading Peter Doyle's new book is a great cruise through a sea of music familiar to those who grew up in the monaural sound era.” (Neil V. Rosenberg, author of Bluegrass: A History and Transforming Tradition)
From the Publisher
6 x 9 trim.
Most helpful customer reviews
0 of 0 people found the following review helpful.
sonic space
By Art Noxon
Great to read about someone creating sonic spaces
7 of 9 people found the following review helpful.
Ignore the jazzhermit, this book is a winner!
By Music History Buff
I was prompted to write this response due to "jazzhermit"'s completely ill-considered, ill-informed and, quite frankly, loony "review" of this fantastic book. Echo and Reverb is one of the best books on a relationship between sound technology and social history one would ever hope to find. In short, Doyle provides a complete history of the sonic treatment of sound in the recording studio, including the emergence of acoustic effects, notable examples from recording history and ultimately the psycho-acoustic ramifications of sound processing in the recording studio, by way of some of the best-known pre and early rock'n'roll records.
After having read this book, I was prompted to do further research, and thanks to Wikipedia, I am now aware that Peter Doyle is a critically acclaimed academic AND fiction writer, which would seem to make sense, as the style is fluid and accessible and not simply some overly verbose academic treatise. In fact the book was the recipient of an "Association of Recorded Sound Collections (ARSC) 2006 award for Best Research in Record Labels and General History", so I would take that as a more appropriate indicator of its erudition and quality.
Furthermore, as a music lover and historian, I am a self-confessed taskmaster when it comes to historical data and trajectory. This book never sets a foot wrong, providing an absolutely comprehensive discussion of recording techniques, and the studios in which these new sonic innovations (Sun, Chess et al) took place.
Why the previous reviewer would have such problems with the book is beyond me, as it is one of the finest elaborations on the emergence of effects/audio treatments and the records that drove these innovations that one could ever purchase.
Fantastic Book!
2 of 2 people found the following review helpful.
Echo and reverb: Much more than just cool sounds
By mojo_navigator
Echo and reverb - together with tremolo, arguably the coolest effects ever conceived in audio. Some of us wierdos could listen to them all day. But beyond groovy tonality, there is a much deeper historical and cultural import in these atmospheric sounds which dates back to the proverbial Age of Antiquity. Doyle identifies this history and social meaning in a rigorous and yet endearingly poetic manner that commences with masculine (reverb) and feminine (echoic) implications of each effect and follows a thorough trajectory until the onset of stereo in the late `50s. For any audiophiles grappling with the issues of accuracy vs musicality, you'll be pleased to know that these quasi-religious debates were happening as long ago as the 1920's (realist vs romanticist) with echo/reverb clearly being identified with the latter which in turn is clearly identified with the personal liberation of the outsider and the underclass.
Doyle is great writer - very articulate, poetic and a true fan of this stuff. I recommend this book to enthusiasts of the original blues and rockabilly era as well as audio nuts.
File this one next to yer copies of Colin Escott and Peter Guralnick. A fine read.
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