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Tales of Neveryon, by Samuel R. Delany
Free PDF Tales of Neveryon, by Samuel R. Delany
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In his four-volume series Return to Nevèrÿon, Hugo and Nebula award-winner Samuel R. Delany appropriated the conceits of sword-and-sorcery fantasy to explore his characteristic themes of language, power, gender, and the nature of civilization. Wesleyan University Press has reissued the long-unavailable Nevèrÿonvolumes in trade paperback.
The eleven stories, novellas, and novels in Return to Nevèrÿon's four volumes chronicle a long-ago land on civilization's brink, perhaps in Asia or Africa, or even on the Mediterranean. Taken slave in childhood, Gorgik gains his freedom, leads a slave revolt, and becomes a minister of state, finally abolishing slavery. Ironically, however, he is sexually aroused by the iron slave collars of servitude. Does this contaminate his mission -- or intensify it? Presumably elaborated from an ancient text of unknown geographical origin, the stories are sunk in translators' and commentators' introductions and appendices, forming a richly comic frame.
- Sales Rank: #632021 in Books
- Model: 1717953
- Published on: 1993-10-15
- Original language: English
- Number of items: 1
- Dimensions: 8.47" h x .67" w x 5.39" l,
- Binding: Paperback
- 264 pages
From Publishers Weekly
The first two volumes in Delaney's Neveryon series explore sexuality, race and subjectivity in an ancient, barbaric civilization.
Copyright 1993 Reed Business Information, Inc.
Review
“The tales of Nevèrÿon are postmodern sword-and-sorcery . . . Delany subverts the formulaic elements of sword-and-sorcery and around their empty husks constructs self-conscious meta-fictions about social and sexual behavior, the play of language and power, and – above all – the possibilities and limitations of narrative. Immensely sophisticated as literature . . . eminently readable and gorgeously entertaining.” —The Washington Post Book World
“Delany continues to surprise and delight . . . [his] playfulness is the kind that involves you in the flow, forces you to see details in a larger context, yet never lets you forget that what you are reading is, after all, nothing but artifice, a series of signs.”—The New York Times Book Review
“This is fantasy that challenges the intellect . . . semiotic sword and sorcery, a very high level of literary gamesmanship. It's as if Umberto Eco had written about Conan the Barbarian.” —USA Today
“Complex and carefully crafted . . . his language is lovely, often approaching the poetic.”—Publishers Weekly
Review
“I consider Delany not only one of the most important SF writers of the present generation, but a fascinating writer in general who has invented a new style.” (Umberto Eco)
“The Nevèrÿon series is a major and unclassifiable achievement in contemporary American literature.” (Fredric R. Jameson)
“Delany's work exists on a kind of borderline -- between theory and literary practice, between canonical and popular culture, between academic and nonacademic culture -- a borderline familiar to feminist theory and cultural critique. The Nevèrÿon series is one of the most sustained meditations we have on the complex intersections of sexuality, race, and subjectivity in contemporary cultures.” (Constance Penley)
Most helpful customer reviews
1 of 1 people found the following review helpful.
The Neveryon books are challenging and good
By I should be at the gym
Samuel Delany's four-book fantasy series, "Tales of Nevèrÿon," is hugely under-read and under-appreciated. Delany primarily writes science fiction. He's won both of science fiction's highest American honors, the Hugo award and the Nebula award, the latter twice in the 1960s. But the Nevèrÿon books stand on their own as excellent fantasy. (Somewhat confusingly, "Tales of Nevèrÿon" seems to be a name for the four-book series but also the title of the first of the four books. I refer to the series as "the Nevèrÿon books.")
In general, Delany's fiction is somewhat experimental and academic, (which is in and of itself remarkable, even inspiring---as is Delany's own authorial and academic success---given that he is highly dyslexic). The Nevèrÿon books may not be prohibitively difficult for young adults; but, they certainly weren't written to be easily approachable by an audience *primarily* of young adults. They are certainly not pot-boiler or formulaic fantasy. In addition to the presence of dragons and barbarian warrior-heroes, which are relatively common fantasy tropes, there are features of the decidedly unromantic Nevèrÿon world and cultures that are highly original creations by Mr. Delany, and the tales themselves are in a naturalistic style at times so gritty you're surprised there isn't a fine layer of dust upon the page. Most of Delany's characters are earthy survivors who interact with their varying cultural, social, economic, and physical environments in a matter-of-fact way interrupted--in the case of some characters anyway--with contemplation, even a sort of philosophizing. There is poignancy throughout, and it's subtle and masterful. The reader can't help but wish the characters well, even if some of them wear the harshness of their lives like old leather garbs, or are simple in their desires and ambitions. The characters of the tales range widely: active and passive, young and old, healthy and ill, famous and obscure, male and female, free and slave.
0 of 0 people found the following review helpful.
Multi-valent. very rich in ideas.
By Grey Mouse
Multi-valent. very rich in ideas.
0 of 0 people found the following review helpful.
Social philosophy within sword and sorcery makes for a laborious but effective thought experiment; moderately recommended
By Juushika
Sword and Sorcery is turned on its head and made into a setting to explore issues of race, sexuality, slavery, economics, and language within the nested narrative that is Nevèrÿon. This is ponderous despite itself--the philosophical, talky style frequently drowns out the readability of the short fiction format and sword and sorcery genre. But going in with those expectations--expectations which the framing narrative insists on--also make it a compelling and effective experiment. It's tongue-in-cheek in tone, demanding in content, and intentionally metatextual; Delaney's ruminations on social structures and social tools are as pedantic as they are creative, and they're intimately tied to the protagonist's stories. I find that I like this more than I enjoy it, because I admire what it does but the reading experience perpetually kept me at a distance. I would still recommend it to the interested reader.
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