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Thieves of Paradise, by Yusef Komunyakaa
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Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa’s poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.
- Sales Rank: #3075740 in Books
- Brand: Brand: Wesleyan University Press/University of New England
- Published on: 1998-03-13
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 9.33" h x .69" w x 6.29" l, .88 pounds
- Binding: Hardcover
- 136 pages
- Used Book in Good Condition
From Publishers Weekly
In this first collection since his Pulitzer Prize-winning Neon Vernacular: New & Selected Poems (1994), Komunyakaa brings his lush, propulsive, myth-making language to a wide range of subjects: Charlie Parker and Ishi; the California Indian; the wildlife of Australia and South Africa. All are the title's "thieves," casing the joint and then snatching the bliss brought to us by the senses: "the lips,/ salt & honeycomb on the tongue.../ how everything begs/ blood into song & prayer/ inside an egg." Such pleasures are found and taken despite the lingering pain of Vietnam, where "the earth swings on a bellrope, limp as a body bag tied to a limb, and the moon overflows with blood," and the dark history of Western culture. "The Tally," a brilliant reckoning of 18th-century trade, reveals the taint even intellectual history bears: "They're counting nails,/ barrels of salt pork,/ sacks of tea and sugar.../ They're uncrating hymnals,/ lace, volumes of Hobbes,/ Rousseau & kegs of rum./ ...They're counting women/ & men." But Komunyakaa, a Princeton professor, also finds resonance in that culture, invoking Pascal, Goya and "The Rubaiyat of Omar Khayyam" as sources of meaning and joy, along with "Cracker Jacks" and "Art Tatum's keys." Here, as in the work of kindred spirits the Beats, a deliberately raw poetry is fruitfully thrown in with the cooked. The resulting vision of paradise?"the same feeling that drives/ sap through mango leaves,/ up into the fruit's sweet/ flesh & stony pit"?is a compelling one.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
A Pulitzer Prize winner, Komunyakaa is a witness to historyAbut that pat description hardly does justice to the richness and power of his poems. Moving from a prehistoric cave to "a dead child/ on the floor between its mother/ and four slavecatchers" to a summer's night in Hanoi, the poet manages to give us "a rare glimpse into the terrible fire of experience" (LJ 6/1/98).
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Princeton writing professor, Pulitzer winner, and the author of nine previous books, Komunyakaa writes like a man possessedby art, music, memory, and by passions that transcend the resentment politics implied in this volumes title. As much as he records those from the lost cultures thieved by the WestAmerican Indians, Australian aborigines, African slaves, Vietnamese nativesKomunyakaa is more than a witness to history. His cinematic poems jump-cut through time, teasing out the larger truths of rage and beatitude in hard-boiled imagery of weapons and tools. His democratic vistas encompass not just like- minded poetsWhitman, Pavese, Langston Hughesbut the blood-beat of the given world. Komunyakaa discovers the forms necessary for his differing moods and subjects: Tumbling verse traces the palimpsests of Count Basie (Balance) and of an antique Smoothing Iron; the last survivor of an Indian tribe earns his quatrains (Quatrains for Ishi); Vietnam flashbacks require a prose phantasmagoria; and, his masterful sequence on Charlie Parker (Testimony) is a virtuoso jam of gorgeous sounds. Alliterative joy comes with Blessing the Animals; sex pumps up the heartbeats in Rhythm Method; and a dirty blues sequence wails the No-Good Blues. This ample volume, with its tough wit and bop frenzy, is recent American poetry at its visionary best. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Komunyakaa is such a brilliant poet. I wish I'd discovered him sooner
By Tracy L. Henry
Komunyakaa is such a brilliant poet. I wish I'd discovered him sooner. Every book I read pulls me deeper into his voice and style, and I won't stop until I own everything he's written.
3 of 5 people found the following review helpful.
one of the most original poets out there
By A Customer
I had known of Komunyakaa for a while, but only recently began reading him. I'm glad I did. This is a book full of very different types of poems--some with regular stanza lengths, some with numbered sections, some short and without stanzas--and it is consistently excellent throughout. I think many poets tend to repeat themselves, but Komunyakaa seems to be one of the most courageous and technically sound poets there is. He is known for his poems about jazz, racial prejudice and the Vietnam War ( the entire section "Debriefing Ghosts" is a terrific sequence of anti-war poems), but I also enjoyed the ones not as easily catagorized. "Kosmos" is one of the best poems written to Walt Whitman I've ever read, and "The Glass Ark," about a couple unearthing fossils in the LaBrea Tar Pits in Los Angeles, is funny, playful and sexual without losing an odd seriousness.His language at times reminds me of Charles Simic--he seemingly finds the most disparate images that somehow seem "right"--but he is entirely on his own when it comes to combining long and short sequences, humor, sex, music and memory. Highly reccomended.
2 of 4 people found the following review helpful.
Extraordinary
By A Customer
I was stunned at the amount of intelligence and density in this poetry. I ordered this after hearing "The Deck" on NPR, as a gift for my wife, and we both consider it a treasure.
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