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American Vision: The Films of Frank Capra, by Ray Carney
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The first interdisciplinary study of America's best-known filmmaker.
- Sales Rank: #1955185 in Books
- Brand: Brand: Wesleyan
- Published on: 1996-03-15
- Original language: English
- Number of items: 1
- Dimensions: 1.17" h x 6.06" w x 8.97" l,
- Binding: Paperback
- 534 pages
- Used Book in Good Condition
From Library Journal
In our nation's great movie lore there is nothing more American than the films of Frank Capra?undoubtedly the Norman Rockwell of American cinema. Carney here, however, asserts that although Capra's films promote traditional American values, there is an underlying "uncertainty about whether an individual can express imaginative dreams within the repressive norms of society" (LJ
Copyright 1996 Reed Business Information, Inc.
Review
An extraordinary achievement and undertaking . . . a true fruition and a powerful defense of the auteurist impulse in film studies. -- Film Quarterly
From the Publisher
6 x 9 trim. 88 illus. LC 95-49517
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good book in perfect conditions
By Daniel Soto
I enjoyed the book
2 of 3 people found the following review helpful.
Amazing scholarship, but needs basic fact-checking
By G. Van Vorhis
The thing about this book is that the research and the insights are fantastic. There are considerations here that I have never considered. The problem is that there were several simple errors. For example, Carney:
*Talks about Henry C. Potter (pg. 379). His name is actually Henry F. Potter.
*Repeatedly refers to Violet Bicks (pg. 384 and many others). Her name is Violet Bick.
*Repeatedly refers to one of the characters in American Madness as Dixon. (pg. 117). His name is spelled Dickson.
*Misquotes George Bailey as saying "sounds of trains, anchor chains, and boat whistles" (pg. 422). George's actual quote is "anchor chains, plane motors, train whistles."
*Incorrectly states that after the phone scene, there is a "following scene showing George and Mary leaving the church after their wedding." This is wrong. They may or may not have been married in a church. We have no proof of this. However, they leave the Bailey home, not a church, as they climb into Ernie's taxi. The proof is the picture of Annie the maid hanging below the steps as George and Mary run down them.
These missed facts does not in any way take away from the scholarship and depth that this book goes into. The research and dedication to studying the facts of the films instead of the dreams and metaphors is admirable.
American Vision: The Films of Frank Capra is dense. It's thick and scholarly, and requires patience and a great degree of concentration. That being said, it is also required reading for fans of Capra and his films.
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