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Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Music/Culture), by Robert Walser
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A Choice Outstanding Academic Book. A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power.
- Sales Rank: #805568 in Books
- Published on: 1993-05-15
- Original language: English
- Number of items: 1
- Dimensions: .73" h x 5.92" w x 9.08" l, .82 pounds
- Binding: Paperback
- 254 pages
From Library Journal
Heavy metal music, one of the most significant musical influences of the 1980s, has received little serious attention by academics. This ethnographic study goes a long way toward counteracting the disdain held by musicologists for heavy metal by presenting a solid, scholarly analysis of the power, meaning, musical structure. and sociopolitical contexts of the most popular examples of heavy metal. Along with consulting basic texts, Walsh read fan magazines, as well as interviewing and surveying fans and musicians, and his effort shows. This is a comprehensive, often engrossing study of heavy metal music and its followers. Recommended for academic and large public libraries.-- Debora Richey, California State Univ.
Fullerton Lib.
Copyright 1993 Reed Business Information, Inc.
Review
"Walser belongs to a small but influential group of academics trying to reconcile 'high theory' with a streetwise sense of culture . . . an excellent book." —
Rolling Stone
"Making surprising connections to classical forms and debunking stereotypes of metal's musical crudity, Walser delves enthusiastically into guitar conventions and rituals."—
Washington Post
"Walser is truly gifted at doing what few critics before him have done: analyzing the music . . . In virtuoso readings of metal music that forge persuasive links between metal and particular classical music traditions, Walser reveals the ways that musical structures themselves are social texts." —
The Nation
"Running with the Devil takes musicology where it has never gone before; I once saw the chapter on metal guitarists and the classical tradition performed live in a lecture hall, but even on paper it smokes."—
SF Weekly
Review
"Essential reading in all popular music (and cultural studies) courses." (Simon Frith)
“An eye-opening account of the world of heavy metal, as well as a model for how Cultural Studies work ought to be done. Walser lays bare the vision embodied in metal as a total cultural phenomenon—music and words, performers and fans, critics and devotees. The book is exemplary in its rich material, subtle positionings, and elegant writing.” (Sherry B. Ortner, University of Michigan)
Most helpful customer reviews
11 of 11 people found the following review helpful.
Heavy Metal Gets Its Due
By Brian Lynch
I'm currently taking a class on cultural anthropology right now, and as a huge music buff / budding musician, I found this gem while searching the racks at my university. Not only did it help me to realize the cultural biases surrounding a type of music that I am fond of, but also expand my mind in terms of musical application, song construction, and the true inspiration for some of Heavy Metal's greatest classics.
Walser knows exactly what he's talking about, from the perspectives of a particpant in the culture, a trained and educated musician, and a cultural anthropologist. Great reading, would make a great reference for any study on cultural misunderstandings about music, or even something interesting to give you a break from working through all those instructional books and tablature.
7 of 11 people found the following review helpful.
Heavy Metal art-form explained through social & artful view.
By A Customer
As many people in the general populus consider Heavy Metal as more entertainment than art, this book tends to bring to light more of the social & artful aspects of the music. As the title suggests, there's much to do with sociological issues of power, gender, and emotional views. But there was also a large undercurrent of the musical talent and influences of those who make H.M. music. Moreover, the view that H.M. is/not dominantly popular due to lyrical content alone was another interesting topic discussed (among other topics). It is true that some of the topics lack the proper explaination they ought, but for the most part, the details given are good & helpful. If you are a musician, this is a MUST HAVE book! For those trying to understand H.M. (parents, teachers, etc) - open your mind and open this book. Includes indepth looks at musical styles of: Eddie Van Halen, Randy Rhodes, and others.
10 of 12 people found the following review helpful.
Fundamental
By Eric D. Gordy
This is one of the best books about popular music I have read. First of all, Walser avoids cliches: he is good at interpretation, and like all people who are good at interpretation he checks his ideas against the ideas that people who make and listen to the music have. PMRC supporters watch out. Second, he knows what he is talking about: the analysis is grounded in a good understanding of musicology, social theory, literary theory and evidence. So when he tells us where heavy metal "fits," we can believe him. All this, of course, is aside from the question of the reader or anybody else "likes" the music or not. As a model of how to do context-informed analysis of a genre, it rocks.
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