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A lively exploration of the Planet of the Apes films as racial allegory. In 1968, Planet of the Apes became a megahit movie both in the US and abroad, inspiring four film sequels, two TV series, several comic series, and hundreds of millions of dollars in worldwide merchandising. The Apes films confronted some of the most controversial issues of the time, including Vietnam and the Black Power movement, all the while remaining crowd pleasing box office hits. Eric Greene uses rare photographs, transcripts, and extensive interviews with the writers, directors, actors, and producers to read the Apes saga as a profoundly American myth. Greene also looks at the attempts of filmmakers like Oliver Stone and James Cameron to remake the myth for the 90s. This enjoyable and meticulous book gives the reader an insider's look at the complex relationships between race, politics and popular culture in America.
- Sales Rank: #1687370 in Books
- Brand: Brand: Wesleyan
- Published on: 1998-12-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .83" h x 6.04" w x 9.02" l, .94 pounds
- Binding: Paperback
- 286 pages
- Used Book in Good Condition
Review
Mr. Greene thoughtfully examined the racial politics that made the pictures both tough-minded and slightly repugnant. -- from the New York Times review of Burton's remake
From the Publisher
6 x 9 trim. 52 illus. LC 98-31193
About the Author
ERIC GREENE is a freelance writer and student now at Stanford Law School. Originally published in 1996, the book won the Golden Scroll Award of Merit for Outstanding Achievement from the Academy of Science Fiction Fantasy and Horror Films.
Most helpful customer reviews
4 of 5 people found the following review helpful.
The "Sacred Scroll" for serious Ape-o-philes!
By Paul McComas
I can count on the fingers (and fully-opposable thumb) of one hand the number of books that have impressed, entertained, and inspired me as much as this one.
It doesn't hurt that I grew up as a hardcore Ape-o-phile. Still, had "Planet of the Apes as American Myth" been a mere nostalgic retrospective, it would not have riveted me as it did. Something strange happened as I read Greene's lucid, insightful and cogent commentary. I came to understand, finally, just why the Apes series and the world it evoked had, during my pre-teen and teen years, intrigued me on so many levels at once...and why the series' admittedly outlandish sci-fi premise always had to it the ring of truth. Reading this book, I felt vindicated. It was as if the author said, "You were right all along, Paul. These films really DID matter -- and here's why."
Like the final scene in the original 1968 film, Greene's book forces you to look back at all that preceded it (in this case, the POTA films & TV series) in an entirely new light. For Apes fans this is, quite simply, a MUST-READ.
(Paul McComas is the author of UNPLUGGED, TWENTY QUESTIONS, and the upcoming comedic coming-of-age novel PLANET OF THE DATES.)
5 of 7 people found the following review helpful.
Not just about race...
By Michael Valdivielso
The Ape movies were not just mirrors to show us our racial problems but also to show solutions to them. But it wasn't just about race, but also about foreign affairs such as the Cold War and the Vietnam Conflict, religion vs. science, nature vs. nurture, the fears of a nuclear holocaust, even our treatment of animals and how we treat women.
The book really helped me to understand the movies with a detailed background about the times in which the movies were created. The book also has a touch of humor even while explaining about what the films were trying to say or show. Sometimes without even knowing it.
25 of 27 people found the following review helpful.
Excellent
By A Customer
In film and telelvision, very few things happen by pure accident. Although Greene may seem at times to "read too much" into 'Planet of the Apes', in reality he presents a clear and very detailed analysis of the series and films in relation to the time in which they were produced. The connections between the two cannot be overlooked, and whether or not you agree with all of Greene's points, it is necessary to have all possible ideas presented in this type of study. This is exactly what we do with Shakespeare, for example--analyze his "art" in historical context. Whether Shakespeare intended all of the possible connections is, ultimately, irrelevent. Television and film, as a modern art form, can be examined in the same way. This book is a fine example of such analysis. Greene is a talented young writer and I look forward to more of his work.
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